SWRT 032 | Resting the Writer’s Brain

Welcome back Robert! Since Robert just got back from a recent trip, we dive into the idea of travel. Are we travelers? And how far do you have to go to refresh your writing brain? What if you can’t afford to travel? And should your travel involve writing? What are the benefits of breaking out of your routine? And how should you record your travel for later?

SWRT 031 | Writing Skills, part 2

SWRT 031 | Writing Skills, part 2

What are some benefits of writing short? How can you make sure your writing is working for your readers? And what are some challenges we face as writers? Finally we talk about what process to go through as you seek to improve your writing!

SWRT 031 | Writing Skills, part 2

SWRT 030 | Writing Skills with Steve Peha

How do you make writing interesting to kids? How can you evaluate any kind of writing to make it better? And how do you get anyone, regardless of their age, excited and passionate about creating great writing? We explore six traits of writing, how to find your writing territory, and the importance of publishing your work.

SWRT 029 | Emotional Wounds & Character Arcs

SWRT 029 | Emotional Wounds & Character Arcs

What is a character arc? What are the three kinds of character arcs and four main components of a character arc? How can you use Maslow’s hierarchy of needs to help with pre-writing? And how present does your characters wound need to be? Should you state it outright? Or should you weave it into the narrative? How many of your characters need wounds? And how can it affect your antagonist? Finally we discuss the details of finding your wound, and what it might do to your character.

SWRT 029 | Emotional Wounds & Character Arcs

SWRT 028 | Emotional Wounds

We sit down with Becca Puglisi to talk all things Emotional Wounds, and other writing resources. We talk about the resources she has for writers, and how they can be used in a wide range of applications. How can we use them to help show rather than tell, and make your writing richer and more immersive? We talk about writing challenging personal things, how to use character growth to challenge readers and why context is so important. And what is the difference between a villain and protagonist?