Continuing our conversations on point of view, we take a look at first person point of view. We delve into common misconceptions about first person point of view, and challenges that writers face with the viewpoint. How can you utilize first person to develop your characters voice? And why does young adult fiction seem to prefer the first person point of view?
What is point of view, how do we use it, and what are the different nuances behind it? What is a narrator and how does the narrative voice effect the story? Did you pick the wrong point of view characters? And how can point of view create nuance and depth in your writing?
What is trouble? How does it contribute to both character and plot arcs? How do you have to pay off trouble? And do you have to get it into every scene? We enjoy making a character struggle with a speeding ticket, and talk about how it can contribute to hooks both between chapters and books.
What is a soggy middle? And what kind of writers tend to have problems with it? Are you giving your middle the attention and care it deserves? And what makes a soggy middle after all? After some much needed middle shaming we all agree – do not tolerate a soggy middle!
What is it like to write in two different languages? How do you make that choice and why pick one over the other? How does it affect voice and how can immersion in the project effect that coveted flow state?