Why is continuity so important? And what opportunities does it present you as an author? How can continuity be tracked through your manuscript? And what should you track? What things within your manuscript help maintain continuity?
What does it mean to restore balance at the end of your book? Do you always have to wrap everything up with a bow? How do we feel about leaving things open-ended? And how can you restore balance without a happily ever after?
In this week’s Story Works Round Table, Alida, Robert, and Kathryn talk about too much of a good thing. When do you tip the balance from just enough, to too much or too little?
How has Molly’s arc evolved over the course of her storytelling? And how does she craft agency into her own story? How many ways has she had to approach the same topics? And is it okay to leave the actual abuse off the page in an abuse narrative?
Why did Molly choose to write a memoir? When and how did her writing journey evolve from oral storytelling to MFA, to memoir? How do you turn your family into characters? And how important is it that they stay well rounded? We dive into antagonists, aliases, and the tricky line to walk when using your real life in your writing.