Story Works Round Table

conversations about craft

SWRT 195 | The Velcro Between Your Pro- & Antagonist

SWRT 195 | The Velcro Between Your Pro- & Antagonist

To make your novel work, your protagonist and antagonist need to stick together. If they aren’t sticky, the conflict will fail. This week on the Story Works Round Table, we discuss what keeps the wheels under your plot turning.

SWRT 193 | Is Your Hero Up to the Right Challenges?

SWRT 193 | Is Your Hero Up to the Right Challenges?

Is your protagonist up to all the challenges your plot is throwing at her? Or is everything a little too easy?
How do you create a character who’s tough enough to survive, but not so darn competent at everything that she becomes unbelievable and unsympathetic? This week on the Story Works Round Table writing podcast, we delve into creating sufficient challenges commensurate with your character’s abilities and more!

SWRT 098 | Capturing Your Character’s Shadow Side

What is the shadow side? And how should we use it in our stories? How do we develop a shadow side? And how does it humanize our characters? Remember that you must get into your characters head, show their motivations, and make a change throughout your story! So use that shadow side to help you craft a character readers want to live vicariously through.

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SWRT 078 | Fatal Flaw

What is a fatal flaw? And how can you develop one for your character? How should the fatal flaw be resolved through your book or series? And how can you keep your characters irrational behavior believable to your readers? Remember that a stories endpoint and a flaws true resolution doesn’t have to be the same thing. Now dig deep into your characters past and find that fatal flaw!

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SWRT 076 | Character Agency

What is agency? How does it work in your story? And what does it look like? When is your plot driving your character, rather than your character driving the plot? How can you diagnose agency issues? And how can you maintain that agency all the way through your climax, even with a cast of characters?

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SWRT 074 | Nicey Nice

What is nicey-nice? How can you use character flaws and irrational reactions to combat it? As a writer we need to remember to push boundaries, silence that inner critic, and steer clear of writing our own reactions into our character. So how do you fix a section that is too nice? And how can you use character reactions to build tension into your story? Make your characters reactions messy and their relationships imperfect and you’ll be on your way to writing characters that keep the reader engaged!

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SWRT 073 | Stakes & Agency

SWRT 073 | Stakes & Agency

What are stakes? And how does your characters agency interact with them? How do you make your stakes personal and individual for your character? And how can you use your stakes to evaluate your plot structure? How should the stakes change through the story? And how do the stakes affect your characters actions? Remember, your characters agency must be the thing that drives your story forward!

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SWRT 072 | Killing Your Characters

Why is killing characters important? How should we approach killing characters? And what are the reasons for doing it? How can it affect your story and your protagonist’s journey? What genres rely on killing characters? And how should you approach killing “extras” in your book? Even nameless characters can have a huge impact – so use your tools wisely!

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SWRT 067 | Character Descriptions

SWRT 067 | Character Descriptions

How should you introduce your characters? We each bring an example showing how to use action or narrative exposition to introduce your character to your reader. Remember just like everything in writing your description should do more than just describe your character.

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SWRT 061 | Character Motivation

How do we address character motivation? Do we struggle with it? When do we work it into our stories? How can you get to know your character better in order to develop that motivation? What are the three layers of motivation? And how do you plan for your characters motivation over a series? What happens when your character has competing motivations?

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SWRT 047 | Unlikeable Characters

How often do you find unlikeable characters? Is there a difference between an unlikeable personality and moral or ethical flaws? What about morally repugnant characters? What kind of arcs do unlikeable characters have? And how do you craft them?

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