Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 328 | Creating Writing Rituals & Celebrations with Elizabeth Barbour

SWRT 328 | Creating Writing Rituals & Celebrations with Elizabeth Barbour

In this enlightening episode, Alida and Kathryn welcome Elizabeth Barber, a life and business coach, shamanic practitioner, and joyful ritualist, who shares her journey of transforming chaos into clarity through sacred celebrations. Elizabeth discusses her award-winning book, ‘Sacred Celebrations,’ and how rituals can be woven into our writing practices and everyday lives. Discover the significance of creating personal rituals and how they can help us navigate life’s milestones, both joyful and challenging. Join us as we explore the power of storytelling, the importance of witnessing, and the art of celebrating our achievements.

SWRT 327 | Embracing The Heroine’s Journey with Danielle Anderson

SWRT 327 | Embracing The Heroine’s Journey with Danielle Anderson

In this episode, Alida Winternheimer welcomes Danielle Anderson, a seasoned nonfiction book coach and editor, as we delve into the concept of the heroine’s journey. Drawing from Maureen Murdoch’s influential work, Danielle shares her personal experiences and insights on the internal journey women often face, contrasting it with the traditional hero’s journey. Discover how understanding this narrative can empower women to embrace their unique stories and identities. This conversation is a must-listen for anyone seeking to explore the depths of their own journey!

SWRT 265 | Read Widely to Improve Craft

SWRT 265 | Read Widely to Improve Craft

This week on the Story Works Round Table, Alida, Kathryn, & Robert discuss all the ways reading widely benefits you as a writer. There is so much more to be gained from reading as a writer than reading as a reader. Kathryn attests that her story craft has improved by reading beyond her favorite genre. How has reading improved your storytelling? What are the pitfalls to avoid when shopping for books? How can you find the books with the scenes that will deliver the help you need as a writer?

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SWRT 264 | Writing Physicality

SWRT 264 | Writing Physicality

This week on the Story Works Round Table, Alida, Robert, & Kathryn get physical (and you won’t believe the scenes that get Robert in trouble!). When you need your characters to do something involving specific bodily movements, how can you create choreography that delivers the precise image you want in the reader’s mind, then move beyond choreography to create a felt experience in your reader’s body?
Do you have a WIP that would benefit from group coaching? Check out Alida’s fall session and join us today! 

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SWRT 263 | Act II

SWRT 263 | Act II

Does this sound familiar? Robert: A big problem is that when you dream up your story, you have this amazing sense of, I just thought this amazing thing is going to happen to this character and then how it’s all going to end. Okay, but there’s 50% of your double, which I just haven’t thought about yet. I think for many of us, it’s being able to slow down, tease apart the problem, and introduce all of the complications that are required to then deliver that delicious climax that is really satisfying to the reader. So it’s such an important task, yet it’s probably the thing we naturally, as writers, I’m making it very everybody. It’s not everybody’s problem, of course, but we do know many of us experience the problem where we don’t know what to put in the middle there, I suppose. 
Kathryn: Yeah, we have this big empty gap, like, just tell me what to put in here, please.
 
Sound familiar? Then sit back and enjoy this week’s Story Works Round Table episode all about “what to put in here, please!”

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SWRT 262 | Non-protagonist POVs

SWRT 262 | Non-protagonist POVs

This week on the Story Works Round Table, Alida, Kathryn, & Robert discuss using a non-protagonist as your point of view character. What pitfalls does a writer face in doing this? Will readers engage with a witness POV? And if the POV character does not have stakes in the action, what then? This topic came to us from a listener’s question and made for a juicy craft conversation!

Show notes, links, & more at www.StoryWorksPodcast.com.

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SWRT 261 | Arcless Protagonists

SWRT 261 | Arcless Protagonists

Alida, Robert & Kathryn discuss the merits and pitfalls of writing a hero without a character arc. It has been done to great success, so why do so few people suggest it’s even possible to write an arcless protagonist?

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SWRT 260 | Short Stories

SWRT 260 | Short Stories

This week, Alida and Kathryn talk about short stories. Why, as novelists, do we love writing the short story? What can we learn by writing short stories that we maybe can’t by writing novels? What makes a short story great? It’s memorability. It’s a shift in the reader. Sound tough to achieve? Don’t let that stop you! Your writing skills will grow in leaps and bounds when you take on the short story. 

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SWRT 259 | Retreats & Research

SWRT 259 | Retreats & Research

This week on the Story Works Round Table, Alida & Kathryn discuss the benefits of writing retreats, especially when your story requires location-specific research. Whether you’re writing urban fantasy, historical, or just a story set in a real place, this episode is a happy exploration of how taking time for yourself as a writer and immersing in your research can do wonders for both your story and you!

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SWRT 258 | Love & Writing

SWRT 258 | Love & Writing

This week on the Story Works Round Table, Alida, Kathryn, & Robert discuss Love & Writing. How many ways can you write love and all its complications into your stories? We aren’t talking about romance here, just love in its many complex forms.

Story Works Round Table will now be coming out biweekly. Don’t worry, we aren’t going away, just changing the schedule. Use our off weeks to explore the catalog of over 250 conversations about craft at www.storyworkspodcast.com!

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SWRT 257 | Trouble…and more trouble

SWRT 257 | Trouble…and more trouble

What is trouble? How does it contribute to both character and plot arcs? How do you have to pay off trouble? And do you have to get it into every scene? We enjoy making a character struggle with a speeding ticket, and talk about how it can contribute to hooks both between chapters and books.

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