Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 308 | Authors Talk Ghost Stories

SWRT 308 | Authors Talk Ghost Stories

Just in time for Halloween, the Story Works Round Table brings you a special episode featuring five incredible authors of ghost stories: Gabi Coatsworth, Paulette Kennedy, Jan Heidrich-Rice, Sandra Young, and Alida Winternheimer. Dive into the art of crafting paranormal tales, explore the inspiration behind these haunting narratives, and learn about the unique rules that govern their ghostly worlds. Plus, discover their upcoming events and workshops perfect for getting your literary boo on this spooky season. Don’t miss out on this fascinating conversation—listen now!

SWRT 307 | From Lightning Strike to Novel with Ben Hawken

SWRT 307 | From Lightning Strike to Novel with Ben Hawken

This week on the Story Works Round Table, Alida and Kathryn sit down with Ben Hawken, author of the new novel “Chandelier.” Ben shares his remarkable journey from a career in marketing and speech writing to writing his debut book. Learn how he balanced life, work, and writing to achieve his creative dreams. Ben offers insights into story structure, the art of dialogue, and practical tips for aspiring writers. Whether you’re looking to start your own writing journey or curious about the creative process, this episode is packed with inspiration and advice. Tune in now to hear Ben’s story and get motivated to pursue your own creative passions!

SWRT 175 | Balance Restored

What does it mean to restore balance at the end of your book? Do you always have to wrap everything up with a bow? How do we feel about leaving things open-ended? And how can you restore balance without a happily ever after?

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SWRT 174 | Balance Tipping Points

In this week’s Story Works Round Table, Alida, Robert, and Kathryn talk about too much of a good thing. When do you tip the balance from just enough, to too much or too little?

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SWRT 173 | Character Agency in Memoir

SWRT 173 | Character Agency in Memoir

How has Molly’s arc evolved over the course of her storytelling? And how does she craft agency into her own story? How many ways has she had to approach the same topics? And is it okay to leave the actual abuse off the page in an abuse narrative?

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SWRT 172 | Characters in Memoir

SWRT 172 | Characters in Memoir

Why did Molly choose to write a memoir? When and how did her writing journey evolve from oral storytelling to MFA, to memoir? How do you turn your family into characters? And how important is it that they stay well rounded? We dive into antagonists, aliases, and the tricky line to walk when using your real life in your writing.

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SWRT 171 | Misunderstood Storycraft Rules

SWRT 171 | Misunderstood Storycraft Rules

Show, don’t tell! Don’t think, feel, and wonder your way through a manuscript. Dig deep! Use that narrative exposition. Use your dialogue and action sequences. Write visually. Never use adverbs. Use the right word choice. Make your writing strong and not weak. Don’t use to be! Don’t use said! We tackle some of the most commonly touted writing rules and how they should actually apply rather than some of their more misunderstood applications.

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SWRT 169 | Oral Storytelling with Molly McCloy part 1

SWRT 169 | Oral Storytelling with Molly McCloy part 1

What is oral storytelling? And how does one craft a story for oral presentation? Molly McCloy takes us through her process, how she got into oral storytelling in the first place, and how she uses humor to keep her audience engaged. This is part one of our conversation, make sure to come back next week to check out part two, where we dive even deeper into the craft of oral storytelling.

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SWRT 168 | Corona Check In

How are we all doing when it comes to the ever-evolving world situation? We chat about our productivity, whether or not we feel we should be speaking into these situations, and how we are handling our inputs versus outputs. In the end, we all agree to just keep writing!

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SWRT 167 | In Media Res

What does in media res mean? And how do you use it appropriately to draw your reader into your story? What happens to the structure of your story if you choose to start in media res? And does it mean your inciting incident has to be off the page?

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