Join us at the Story Works Round Table for far-ranging, philosophical, and fun conversation about science fiction with special guests Brad C Anderson, author of Duatero,
Mark Morton, author of The Headmasters, Lance Robinson, one of the winners of the L. Ron Hubbard Writers of the Future contest, and Kristina Rienzi, author of Among Us. From dystopias to conspiracy to environmental collapse, discover how these stories mirror our reality and spark imagination.
This week’s Story Works Round Table features Chindia Ilonka, the visionary leader and author of Quantum Rebel. Discover how to align with your soul, harness your intuitive creativity, and achieve transformative results in your writing. Chindia shares her journey of self-discovery and offers practical insights on cultivating a deeper connection with your inner voice. This episode is a must-listen for anyone seeking to evolve, inspire, and thrive. Tune in now and unleash your potential!
In this week’s Story Works Round Table, Alida, Robert, and Kathryn talk about too much of a good thing. When do you tip the balance from just enough, to too much or too little?
How has Molly’s arc evolved over the course of her storytelling? And how does she craft agency into her own story? How many ways has she had to approach the same topics? And is it okay to leave the actual abuse off the page in an abuse narrative?
Why did Molly choose to write a memoir? When and how did her writing journey evolve from oral storytelling to MFA, to memoir? How do you turn your family into characters? And how important is it that they stay well rounded? We dive into antagonists, aliases, and the tricky line to walk when using your real life in your writing.
Show, don’t tell! Don’t think, feel, and wonder your way through a manuscript. Dig deep! Use that narrative exposition. Use your dialogue and action sequences. Write visually. Never use adverbs. Use the right word choice. Make your writing strong and not weak. Don’t use to be! Don’t use said! We tackle some of the most commonly touted writing rules and how they should actually apply rather than some of their more misunderstood applications.
How do you come up with material for oral stories? How do you keep it under five minutes? How important is the hook? Or the ending? And how do you craft humor into your stories?
What is oral storytelling? And how does one craft a story for oral presentation? Molly McCloy takes us through her process, how she got into oral storytelling in the first place, and how she uses humor to keep her audience engaged. This is part one of our conversation, make sure to come back next week to check out part two, where we dive even deeper into the craft of oral storytelling.
How are we all doing when it comes to the ever-evolving world situation? We chat about our productivity, whether or not we feel we should be speaking into these situations, and how we are handling our inputs versus outputs. In the end, we all agree to just keep writing!
What does in media res mean? And how do you use it appropriately to draw your reader into your story? What happens to the structure of your story if you choose to start in media res? And does it mean your inciting incident has to be off the page?
When should you think about time as a writer? And what can you do with time? We talk about expanding, compression, jumping, and even framing your story with time. It all comes down to being aware and careful with how you use time in your story.