Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 310 | From Lightning to Novel with Ben Hawken, part 2

SWRT 310 | From Lightning to Novel with Ben Hawken, part 2

This week on the Story Works Round Table, Alida and Kathryn continue our conversation with Ben Hawken, author of the new novel “Chandelier.” In part two of our conversation, we discuss looking for the next story, processing ideas, writing dialogue and getting characters into conversation as fully formed people, and more! Ben shares his remarkable journey from a career in marketing and speech writing to writing his debut book. Learn how he balanced life, work, and writing to achieve his creative dreams.

SWRT 309 | Immigrant Stories & Historical Events – Fiction with Grishma Shah

SWRT 309 | Immigrant Stories & Historical Events – Fiction with Grishma Shah

Join us for an insightful episode of Story Works Round Table as we welcome Grishma Shah. Grishma shares the journey of crafting her novel, Anagram Destiny. Inspired by her upbringing as the daughter of Indian immigrants and her expertise in culture and globalization, it’s a reverse immigration story that explores the Indian American dream, cultural shifts, and the power of storytelling. Discover how personal experiences and historical events like 9/11 shape her narrative, and why fiction can resonate deeper than nonfiction. Don’t miss this compelling conversation about identity, home, and the universal themes of love and loss.

SWRT 163 | Titles

Why are titles so important to think about? How do they help with genre targeting, or getting your reader to pick up your book? Should your title say something about your book? And how memorable do you want it to be? We dive into how to explore your title, and where to get started!

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SWRT 162 | Dual POV in Romance

SWRT 162 | Dual POV in Romance

Do you need a dual POV in a romance novel? How do you distinguish between the POV’s? And how important is that internal journey in these stories? We talk about the struggles of writing an intimate internal journey from a point of view different from your own, and even get a laugh talking feelings with Robert.

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SWRT 161 | Grants for Writers

SWRT 161 | Grants for Writers

What is a grant? And what can they do for you as a writer? What is the process of application? And what can the funds be used for? Susan leads us through the entire process from application to acceptance for a grant, including giving her experience as both a judge, and recipient.

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SWRT 160 | Paranormal Romance

SWRT 160 | Paranormal Romance

What defines paranormal romance? And what flavor does Frances write? How do you weave paranormal elements into your overall plot? And how important is the setting and research to Frances’s work? We dive into the importance of the romantic elements, and the choices you will need to make if you choose to write in the paranormal romance genre.

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SWRT 159 | Flawed Heroes

How do you create a competent character who still has to grow? How do you utilize motivation to create plausibility? And how do you develop flaws that help your character keep their competence?

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SWRT 158 | Read Like a Writer

Do we always read like a writer? What happens when we slow down and pay attention to the books we are reading? Does reading like a writer destroy your ability to read for enjoyment? We dig into our current reads and how our reading benefits our writing.

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SWRT 157 | Subtext

What is subtext? And why is it important? Why is it so tricky to work on, or define? What effect does subtext have on the reader? We dive into an example and then talk about the ways we think you can learn how to write better subtext.

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SWRT 156 | Keeping a Series Exciting

How do you keep a story going over a long series without tiring out characters and readers? Is this limited to a single genre? What ways can you use innovation, and plot elements to keep the reader engaged?

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SWRT 155 | POV-Narrative Lightning Round

How do you keep readers from skipping point of view chapters? What if you have to cut a point of view out of your story? And how do you switch from your narrator to your character’s point of view? This week we take some time to answer some questions that have popped up in our Facebook group. If you have a question, make sure to join us there and ask away!

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