Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 297 | Dialogue

SWRT 297 | Dialogue

This week on the Story Works Round Table, Alida and Kathryn talk dialogue. We’ve noticed what may be some poor advice and some frightening trends in dialogue floating around out there. Time to bust some myths and pop some speech balloons!

How should dialogue be formatted and how does it differ from interiority and thoughts?
When and why does it make sense to honor trusted conventions?
How would “experimentation” work in the voice of AI?

We draw on the past two Writers Book Club short stories for examples of dialogue, interiority, and narrative point of view. There is a lot of craft to unpack in this week’s episode, a bit of silliness, and a writing prompt, too!

“Dialogue is an art form all in and of itself. So be aware of what you’re putting on the page.”

“Dialogue should reveal something to the reader.”

SWRT 297 | Dialogue

SWRT 296 | Writers Book Club: Checkhov

This week on the Story Works Round Table, Alida and Kathryn discuss Chekhov’s story, “The Woman with the Little Dog.” You can get the link to read it in the show notes.

“Everything that he found important, interesting, necessary, in which he was sincere and did not deceive himself, which constituted the core of his life, occurred in secret from others.” -Checkhov

Unpack the layers of Anton Chekhov’s poignant short story, “The Lady with the Little Dog,” in this thought-provoking episode of Story Works Round Table. Alida and Kathryn dissect the narrative’s exploration of love, regret, and societal imprisonment. As they navigate through the characters internal struggles and the story’s critique of marital conventions, listeners are invited to consider depth of character emotion, subtext, and presenting social commentary through story.

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Get Alida’s reflections on life, writing, and the writing life in A Room Full of Books & Pencils. booksandpencils.substack.com

SWRT 135 | Refilling the Creative Well with Alina Sayre

SWRT 135 | Refilling the Creative Well with Alina Sayre

How did finishing a project bring Alina to a realization about herself, and her life outside of her author career? What experiences did she undertake in order to refill her creative well? And how does working on a project outside of what you previously finished help broaden your artistic horizons? We finish with a poem from Alina’s new book, Fire by Night.

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SWRT 134 | The Art of Death, part 2

SWRT 134 | The Art of Death, part 2

How will your personal history affect how you portray death? What about if you have never experienced anything as tragic as your character is experiencing? How can you use the element of surprise to turn a story on a death? And how should you use death in Act two? We talk about the problem of proximity in death, and whether or not death has genre conventions. In the end, we all agree that this is a great book, if you are ready to really sit and think about death!

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SWRT 133 | The Art of Death, part 1

SWRT 133 | The Art of Death, part 1

What was our experience with The Art of Death? What were our biggest takeaways? What makes death meaningful for the story? And what tools should you bring to write a death well? How can we make them authentic? And what is the power of the point of view?

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SWRT 132 | Strong Female Protagonists with Judy K Walker, part 2

SWRT 132 | Strong Female Protagonists with Judy K Walker, part 2

How is writing a female protagonist different from writing any protagonist? Are there genre pressures to what your female protagonist should be like, act like, or look like? How has television affected character driven fiction? And how does that effect the female protagonist? Finally, we give tips on how to address the female protagonist writing for today’s reader, no matter the genre.

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SWRT 130 | The Power of Writing to Change Lives, part 2

SWRT 130 | The Power of Writing to Change Lives, part 2

Do MPWW writers take emotional risks in their writing? How can we take a page from their book to form supportive writing communities? And how is the Twin Cities Community involved in supporting the program? Has the MPWW program affected the DOC? And what misconceptions does Jen encounter? And finally, we talk about how you can help support this program, and all the work that it is doing!

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SWRT 129 | The Power of Writing to Change Lives

SWRT 129 | The Power of Writing to Change Lives

What is the Minnesota Prison Writing Workshop? How did it begin? And what is it like to go into a state prison (in MN) and teach writing? What genre does MPWW teach? And how does it help writers? What kind of community has grown out of MPWW’s work within the prison system?

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SWRT 128 | PI Novels with Judy Walker

SWRT 128 | PI Novels with Judy Walker

Why did Judy start writing PI novels? And how did her background help with the details? What are some pitfalls to avoid when writing a PI novel? And why is the narrator so important? We dive into the gray zone of legality in a PI novel, as well as how to add complexity, even if your narrator doesn’t have an arc.

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