Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 300 | Finding Penrose – Paula Sheridan’s book-to-film journey

SWRT 300 | Finding Penrose – Paula Sheridan’s book-to-film journey

Author Paula Sheridan turns a fascinating real life story to a novel & then to film while holding onto creative control of Finding Penrose. This week, Alida and Kathryn welcome Paula Sheridan back to the Round Table to discuss her new project, Finding Penrose.

Paula’s novel has already captured the hearts of celebrities, plus the media, with 100’s of articles already published. And with two renowned film producers adapting Penrose’s story for the big screen, they’re now in talks with a Hollywood director and actors.

This heart-warming and captivating tale is based on the real-life story of Penrose Matsile, a young boy in 1922 Colonial Africa who was stolen from his village and forced into a life of slavery. Despite the unimaginable odds, Penrose spent his entire life courageously fighting to reclaim his identity and freedom.

SWRT 299 | Authors Talk Women’s Fiction

SWRT 299 | Authors Talk Women’s Fiction

This week at the Story Works Round Table, five authors sit down to talk women’s fiction. Alida Winternheimer is joined by D. Liebhart, Heidi McIntyre, Amanda Speights, and Jen Telger to discuss their genre and their stories. There is a lot more to women’s fiction than strong female characters or women authors. The diversity of the genre makes it distinct from other genres, keeping the writer’s hands unbound by conventions or reader expectations. Though writing stories that range from historical to magical realism to contemporary and medical, they have a lot in common…especially a deep commitment to realism and their characters’ emotional journeys.

SWRT 139 | The Craft of Writing Book Copy with Bryan Cohen

SWRT 139 | The Craft of Writing Book Copy with Bryan Cohen

Why should author’s know how to craft copy for their book? What are the fundamentals? How do you find the number one conflict in your book? And then how do you make it exciting? What is the structure of a book blurb? And where do most author’s run into problems?

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SWRT 138 | Writing – Life Balance, part 2

How can you reset your creative motivation when it has fallen to the wayside? How can you balance your life to give yourself the most willpower for your creative pursuits? And where do you need to re-evaluate your life and your habits? In the end, it’s all about finding the balance that works for you, your life, and your creative goals!

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SWRT 137 | Writing – Life Balance

SWRT 137 | Writing – Life Balance

How did 2019 go in our writing lives? And what lessons have we learned about how we have balanced, or failed to balance, our writing with our life? How can you shift your perspective from the outputs to the inputs? And how can we achieve that balance where our lives feed our creativity, and our creativity our lives?

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SWRT 135 | Refilling the Creative Well with Alina Sayre

SWRT 135 | Refilling the Creative Well with Alina Sayre

How did finishing a project bring Alina to a realization about herself, and her life outside of her author career? What experiences did she undertake in order to refill her creative well? And how does working on a project outside of what you previously finished help broaden your artistic horizons? We finish with a poem from Alina’s new book, Fire by Night.

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SWRT 134 | The Art of Death, part 2

SWRT 134 | The Art of Death, part 2

How will your personal history affect how you portray death? What about if you have never experienced anything as tragic as your character is experiencing? How can you use the element of surprise to turn a story on a death? And how should you use death in Act two? We talk about the problem of proximity in death, and whether or not death has genre conventions. In the end, we all agree that this is a great book, if you are ready to really sit and think about death!

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SWRT 133 | The Art of Death, part 1

SWRT 133 | The Art of Death, part 1

What was our experience with The Art of Death? What were our biggest takeaways? What makes death meaningful for the story? And what tools should you bring to write a death well? How can we make them authentic? And what is the power of the point of view?

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SWRT 132 | Strong Female Protagonists with Judy K Walker, part 2

SWRT 132 | Strong Female Protagonists with Judy K Walker, part 2

How is writing a female protagonist different from writing any protagonist? Are there genre pressures to what your female protagonist should be like, act like, or look like? How has television affected character driven fiction? And how does that effect the female protagonist? Finally, we give tips on how to address the female protagonist writing for today’s reader, no matter the genre.

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