This week at the Story Works Round Table podcast, Alida and Kathryn explore the power of sensory details in writing with award-winning author Paulette Stout. Join us as we discuss how to bring scenes to life through sight, sound, smell, touch, and taste. Paulette shares insights into her writing process, her latest work, and how she uses sensory details to build vivid, immersive worlds.
This week, the Story Works Round Table is turned: Alida is interviewed by guest host, Lainey Cameron, award-winning author, podcaster, and book marketing expert.
They discuss writing without genre in mind, starting with a vision only described as magical realism. Alida’s novel, A Stone’s Throw, explores themes of relationships, and motherhood, while highlighting the complexities of artistic identity and validation and the transformative power of community.
Lainey asks Alida about her inspiration, process, and the roles of creativity and community in her life and work.
What caused Leeland’s break from writing? And what is the problem of the allure of the new and different? Why do we struggle to just write the next book in the series? What was the impetus behind Leeland’s return to writing? And what are some tips Leeland has for streamlining your marketing so you can have more time for your writing?
What is the Steampunk genre? How real does your science need to be? And does it have to be set in the Victorian era, and in Victorian society? What sort of plot goals should a Steampunk novel have? And what archetypes do you need in order for it to feel Steampunk? Leeland gives us his tips on the perfect mixture to make a Steampunk novel, and how to get started if you are interested in writing one!
What can workshopping your novel with an editor do for you as a writer? What are Kathryn’s issues with Act One? And what does your reader truly need to know about your world and characters? Make sure you zoom out and look at the big picture of what you are trying to achieve with Act One.
How is ad writing different from your book description? How do you avoid creating ad copy that is all the same? How do you get to a really good ad sentence? And how do you convey genre in one sentence?
Why should author’s know how to craft copy for their book? What are the fundamentals? How do you find the number one conflict in your book? And then how do you make it exciting? What is the structure of a book blurb? And where do most author’s run into problems?
How can you reset your creative motivation when it has fallen to the wayside? How can you balance your life to give yourself the most willpower for your creative pursuits? And where do you need to re-evaluate your life and your habits? In the end, it’s all about finding the balance that works for you, your life, and your creative goals!
How did 2019 go in our writing lives? And what lessons have we learned about how we have balanced, or failed to balance, our writing with our life? How can you shift your perspective from the outputs to the inputs? And how can we achieve that balance where our lives feed our creativity, and our creativity our lives?
Has Alina refilled her creative well, or recharged her creative batteries? What would she advise those of us who need to find that balance in our lives? How do we write out of our own experiences? And how do we go out and get more of those experiences?
How did finishing a project bring Alina to a realization about herself, and her life outside of her author career? What experiences did she undertake in order to refill her creative well? And how does working on a project outside of what you previously finished help broaden your artistic horizons? We finish with a poem from Alina’s new book, Fire by Night.