Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 295 | Writers Book Club: Gina Berriault

SWRT 295 | Writers Book Club: Gina Berriault

This week on the Story Works Round Table we discuss Gina Berriault’s flash fiction story, “The Woman in the Rose Colored Dress.” At only 2 1/2 pages, it packs in remarkable sentences, the experience of time passing, incredible subtext in minimal dialogue, and a realistic coming of age story when a girl makes a discovery about her father that shifts her understanding of the world. Get the link in our show notes to read the story yourself.

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SWRT 294 | Genre – What is it, anyway?

SWRT 294 | Genre – What is it, anyway?

This week on the Story Works Round Table, Alida, Carlee, and Robert go deep with the question of what makes a genre a genre? Discover the nuances of crafting stories and targeting the right readership. We dissect the concept of genre as both a craft and marketing tool. It’s far more useful to us writers than just a marketing category. Writing to market is often confused with marketing. And what about those of us who strive to be “pure artists,” putting categories at the end of the process? Whether you aim to meet or subvert reader expectations, there’s more to your genre than meets the eye.

“Genre determines what the story is trying to do.”

“If you get lost in a story and you’re not quite sure where you’re taking it, it’s often because you’re not clear on genre.”

SWRT 127 | Inspiration & Activism with Talia Carner

SWRT 127 | Inspiration & Activism with Talia Carner

Should you have your theme in mind when you start the book? Is there a formula that Talia follows for her particular books? And how did her writing turn into activism? Talia’s message for all of us is to take advantage of the opportunities that you are given.

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SWRT 126 | Inspiration & Activism with Talia Carner

SWRT 126 | Inspiration & Activism with Talia Carner

What inspires writers to create a story? How small can that spark of inspiration be? Once you have the inspiration, you must also have the courage to write that story! We talk about how to write your way through a story, with only the destination in mind. And how to correctly use creative license in historical fiction.

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SWRT 125 | Fleshing Out Description in Revision

Why is description so important? And why should we focus on it, both in our first draft, and the subsequent ones? How does writing in a flow state change your ability to describe as you draft? How can you revise in description? And when should you step away from your draft in order to craft it? In the end, don’t let lack of description stop forward momentum. You can, and should, fix it later!

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SWRT 124 | Talia Carner, part 2

SWRT 124 | Talia Carner, part 2

How is the story behind the Third Daughter relevant to today’s world? Why did Talia take the story into the past rather than the present? Did the publisher object to the content of the book? And how can you keep it relatable to the readers, despite the content?

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SWRT 123 | Talia Carner, part 1

SWRT 123 | Talia Carner, part 1

How did Talia come to be an author? And what inspired her to write The Third Daughter? How did fact and imagination merge? And what sources did Talia find to flesh out the Third Daughter?

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SWRT 122 | Building Religion into Your World

Why should we talk about world-building with religion? Should your characters have a belief system? And how can you use it to create rich depth for your world and your character motivation? How should you present it in your work? And how can you make it natural to your world and your characters?

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SWRT 121 | The Power of the Endnote

What is an endnote and why are we talking about it? How is it different from a resolution? Or the end of a scene or chapter? How can you use a “full circle” moment to really make your endnote powerful? And why should you craft it before you even get to the end of your story?

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SWRT 119 | Writing Tics…and what to do about them

What is a writing tic? And is it always a bad thing? We talk about throat clearing, voice issues, using filter words, and having a POV stranglehold. All of these are things you want to fix in revision, but having them isn’t necessarily a bad thing as long as you recognize them. And what you do after you recognize them can change your writing behaviors for the better!

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