This week at the Story Works Round Table podcast, Alida and Kathryn explore the power of sensory details in writing with award-winning author Paulette Stout. Join us as we discuss how to bring scenes to life through sight, sound, smell, touch, and taste. Paulette shares insights into her writing process, her latest work, and how she uses sensory details to build vivid, immersive worlds.
This week, the Story Works Round Table is turned: Alida is interviewed by guest host, Lainey Cameron, award-winning author, podcaster, and book marketing expert.
They discuss writing without genre in mind, starting with a vision only described as magical realism. Alida’s novel, A Stone’s Throw, explores themes of relationships, and motherhood, while highlighting the complexities of artistic identity and validation and the transformative power of community.
Lainey asks Alida about her inspiration, process, and the roles of creativity and community in her life and work.
Has Alina refilled her creative well, or recharged her creative batteries? What would she advise those of us who need to find that balance in our lives? How do we write out of our own experiences? And how do we go out and get more of those experiences?
How did finishing a project bring Alina to a realization about herself, and her life outside of her author career? What experiences did she undertake in order to refill her creative well? And how does working on a project outside of what you previously finished help broaden your artistic horizons? We finish with a poem from Alina’s new book, Fire by Night.
How will your personal history affect how you portray death? What about if you have never experienced anything as tragic as your character is experiencing? How can you use the element of surprise to turn a story on a death? And how should you use death in Act two? We talk about the problem of proximity in death, and whether or not death has genre conventions. In the end, we all agree that this is a great book, if you are ready to really sit and think about death!
What was our experience with The Art of Death? What were our biggest takeaways? What makes death meaningful for the story? And what tools should you bring to write a death well? How can we make them authentic? And what is the power of the point of view?
How is writing a female protagonist different from writing any protagonist? Are there genre pressures to what your female protagonist should be like, act like, or look like? How has television affected character driven fiction? And how does that effect the female protagonist? Finally, we give tips on how to address the female protagonist writing for today’s reader, no matter the genre.
What makes a female protagonist a strong female protagonist? And where does that strength come from? How aware of social and cultural norms should you be when developing a strong female protagonist? And is strength unique to genre?
Do MPWW writers take emotional risks in their writing? How can we take a page from their book to form supportive writing communities? And how is the Twin Cities Community involved in supporting the program? Has the MPWW program affected the DOC? And what misconceptions does Jen encounter? And finally, we talk about how you can help support this program, and all the work that it is doing!
What is the Minnesota Prison Writing Workshop? How did it begin? And what is it like to go into a state prison (in MN) and teach writing? What genre does MPWW teach? And how does it help writers? What kind of community has grown out of MPWW’s work within the prison system?
Why did Judy start writing PI novels? And how did her background help with the details? What are some pitfalls to avoid when writing a PI novel? And why is the narrator so important? We dive into the gray zone of legality in a PI novel, as well as how to add complexity, even if your narrator doesn’t have an arc.