Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 300 | Finding Penrose – Paula Sheridan’s book-to-film journey

SWRT 300 | Finding Penrose – Paula Sheridan’s book-to-film journey

Author Paula Sheridan turns a fascinating real life story to a novel & then to film while holding onto creative control of Finding Penrose. This week, Alida and Kathryn welcome Paula Sheridan back to the Round Table to discuss her new project, Finding Penrose.

Paula’s novel has already captured the hearts of celebrities, plus the media, with 100’s of articles already published. And with two renowned film producers adapting Penrose’s story for the big screen, they’re now in talks with a Hollywood director and actors.

This heart-warming and captivating tale is based on the real-life story of Penrose Matsile, a young boy in 1922 Colonial Africa who was stolen from his village and forced into a life of slavery. Despite the unimaginable odds, Penrose spent his entire life courageously fighting to reclaim his identity and freedom.

SWRT 299 | Authors Talk Women’s Fiction

SWRT 299 | Authors Talk Women’s Fiction

This week at the Story Works Round Table, five authors sit down to talk women’s fiction. Alida Winternheimer is joined by D. Liebhart, Heidi McIntyre, Amanda Speights, and Jen Telger to discuss their genre and their stories. There is a lot more to women’s fiction than strong female characters or women authors. The diversity of the genre makes it distinct from other genres, keeping the writer’s hands unbound by conventions or reader expectations. Though writing stories that range from historical to magical realism to contemporary and medical, they have a lot in common…especially a deep commitment to realism and their characters’ emotional journeys.

SWRT 111 | Using One Character to Influence Another’s Arc

Kathryn explains an exercise in pre-writing she has been using to deepen her character arcs and relationships within her novel. We explore how it would affect sub-plots, character relationships, and arcs. What problems could this help you avoid? And how could you use it to develop your antagonist as well? We talk about how Kathryn got into this kind of development, and whether or not it would work for every kind of story!

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SWRT 110 | When Good Characters Do Bad

What do we mean by “do bad”? And when should you let your characters make these morally reprehensible decisions? We talk about how to use the emotional bank account, and the motivation of your character to keep readers from losing their sympathy for the protagonist. And what about those snapped moments? Or when your character is acting out of character? Ultimately we decide it’s a powerful tool, so use it wisely!

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SWRT 109 | Plausibility

How do you craft a story where readers buy the implausible? Does every genre have to deal with this issue? What tools can you use in your character, plot, and world-building to keep your reader engaged in the story? When do your genre conventions help your plausibility? And when can they hurt it?

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SWRT 108 | Put ‘Em Up!

What are some problems with fight scenes? What happens if you go too quickly? Or too slowly? How can you slow the action down in a good way? What does slow action do to the tension within your story? And don’t forget about your character’s wounds!

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SWRT 107 | Traveling Chapters

SWRT 107 | Traveling Chapters

What is a traveling chapter? And why do all books, regardless of genre, have them? What can you do to amp up your traveling, and make it interesting and compelling to your reader?

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SWRT 106 | Talking Fantasy with Nico Taranovsky, part 2

SWRT 106 | Talking Fantasy with Nico Taranovsky, part 2

What is Intrusion and Liminal Fantasy? And why would you choose to mix the types? Why is Nico writing an intrusion fantasy? And what is his take on world-building? In the end, it’s all about writing a story that says something, has impact, and matters to your readers!

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SWRT 105 | Talking Fantasy with Nico Taranovsky

SWRT 105 | Talking Fantasy with Nico Taranovsky

How did Nico get into writing fantasy? And what is the history of this genre? How would you write a classic fantasy story today? And should you have a distinct good versus evil plot? We dive into types of fantasy stories, starting with the Portal/Quest fantasy and how to immerse your reader, without losing them!

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SWRT 104 | Guiding Your Reader with Narrative with Mike Stop Continues

SWRT 104 | Guiding Your Reader with Narrative with Mike Stop Continues

What is a sequencing issue, and why is it so bothersome to Mike (and Alida)? Why do they happen? And how should you address them? What tools do you miss out on when things are out of order? How can you use narrative to help craft surprise, and reveals? And what is the problem with delaying your dialogue tag? We leave you with ways we discover problems in our own manuscripts.

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SWRT 103 | Revising with Theme with Mike Stop Continues

SWRT 103 | Revising with Theme with Mike Stop Continues

You have a draft, now how should you approach revising to your theme? Mike breaks down a way to approach your draft across multiple facets of your novel, and we talk about how it all works together. How do you transform description, action, and dialogue into a thematic powerhouse? By keeping your theme front and center! Now, go write it on a post-it note and stick it to your monitor!

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