Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 285 | Self Discovery Through Writing

SWRT 285 | Self Discovery Through Writing

This week at the Story Works Round Table, Alida and Kathryn solve the world’s problems with one simple, three-part edict.

We’re kidding, but we’re kind of not. Writing and reading are all about building empathetic connections with people who are nothing like ourselves. As such, writers are gifted with a truly great responsibility.

Share this episode and a book with the people you love.

If you’re in the States, Happy Thanksgiving! Wherever you are, I am grateful for every single person who takes the time to listen to one another.

SWRT 284 | Writers Book Club: Naming My Father

SWRT 284 | Writers Book Club: Naming My Father

This week, Alida and Kathryn welcome Dr. Martha Highers to the Writers Book Club to discuss “Naming My Father,” a personal essay that won the Under the Sun summer writing contest. Martha is an editor at Under the Sun. not only do we talk as reader-writers, we get an insightful behind the scenes glimpse of the selection and editorial process for this wonderful essay about growing up the child of an autistic parent before anyone understood autism.

Subscribe to A Room Full of Books & Pencils and receive 21 Reasons to Pause, a series of writing prompts and tips.

SWRT 081 | Designing Covers with Daria Brennan

Can an author do their own cover? What is it like to work with a professional cover designer? And how should you start the process? Explore market and genre conventions, as well as some tricky pitfalls of wanting a person on your cover. We even talk about how hard it was to find the houses for Alida’s covers!

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SWRT 080 | The Story Premise

What is a premise and how elaborate does it need to be? Does a premise limit your imagination or story? How do you know if you have a full premise, or just a piece of the story? And how long should you work on that premise?

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SWRT 079 | Approaches to Revision

We’ve all heard the advice to rest your manuscripts before you revise, but how much is that really necessary? When is it a beneficial tool, and when should you dive right into your revision passes? What are some tools we can use to better look at our manuscripts? And how can you change your perspective in order to uncover more flaws in your writing?

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SWRT 078 | Fatal Flaw

What is a fatal flaw? And how can you develop one for your character? How should the fatal flaw be resolved through your book or series? And how can you keep your characters irrational behavior believable to your readers? Remember that a stories endpoint and a flaws true resolution doesn’t have to be the same thing. Now dig deep into your characters past and find that fatal flaw!

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SWRT 077 | Story Structure part 2

What is Act 2 and why do writers struggle with it? How should you plot Act 2 and what questions should you ask yourself in each and every scene? How do you use subplots and supporting characters to flesh out Act 2? Remember you are writing from the inciting incident to the beginning of Act 3, not all the way to the climax. And that turning point into your climax should be awesome. Act 2 is not going to look great at the end of your first draft, it’s all about weaving in details, subplots, and revelations. Just make sure it gets the attention that it deserves!

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SWRT 076 | Character Agency

What is agency? How does it work in your story? And what does it look like? When is your plot driving your character, rather than your character driving the plot? How can you diagnose agency issues? And how can you maintain that agency all the way through your climax, even with a cast of characters?

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SWRT 075 | Story Structure

SWRT 075 | Story Structure

What is story structure? And do you need to know everything about it before you write? How should you story fit and where is there wiggle room? What is the difference between an opening hook and an inciting incident? And how important is that midpoint? Remember that you can always innovate your story, but the basics of structure will be there.

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SWRT 074 | Nicey Nice

What is nicey-nice? How can you use character flaws and irrational reactions to combat it? As a writer we need to remember to push boundaries, silence that inner critic, and steer clear of writing our own reactions into our character. So how do you fix a section that is too nice? And how can you use character reactions to build tension into your story? Make your characters reactions messy and their relationships imperfect and you’ll be on your way to writing characters that keep the reader engaged!

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