This week, Alida and Kathryn discuss writing with whimsey. Whimsical writing can add humor and charm to writing, but it’s not only for children’s stories. Lighthearted, quirky, and funny moments add levity to otherwise serious or dark tales. After this week’s episode, you might just find yourself writing whimsically.
This week on the Story Works Round Table, Alida and Kathryn talk dialogue. We’ve noticed what may be some poor advice and some frightening trends in dialogue floating around out there. Time to bust some myths and pop some speech balloons!
How should dialogue be formatted and how does it differ from interiority and thoughts?
When and why does it make sense to honor trusted conventions?
How would “experimentation” work in the voice of AI?
We draw on the past two Writers Book Club short stories for examples of dialogue, interiority, and narrative point of view. There is a lot of craft to unpack in this week’s episode, a bit of silliness, and a writing prompt, too!
“Dialogue is an art form all in and of itself. So be aware of what you’re putting on the page.”
“Dialogue should reveal something to the reader.”
What exactly is a subplot? When do you need them? Who should they revolve around? And can they really alleviate the soggy middle syndrome? And please don’t forget your characters have lives too! Don’t make them live entirely in the main plot line.
What do we think about multiple points of view? And when should you cut them? What does a point of view character need to have? And when should you add another? We talk about the difference between dual, multiple, and ensemble casts and how it should affect your point of view character choices.
Carlee shares five tools to help us through our drafting process, whether you are in first draft or revision! We talk about setting goals, using focused writing time, keeping a log, as well as a visual progress meter, and rewarding yourself at the completion of a project. Carlee also talks about her experience with group accountability and how key it was to finishing her draft. Remember! We’re doing an accountability challenge in our Facebook group this year! Join us today!
In part two of our conversation about taking emotional risks, we talk about what the “truth” is in our writing. How do we get to the emotional truth? And how do we take care of ourselves when we do get there? We also discuss the difference between the value of your experience, and the way that we can convey that to readers. Plus we have a special bonus segment specific to Creative Non-Fiction writers!
Why are we compelled by the truth in our lives? And how can we make art out of emotional risks? When should we protect the people we’ve written about rather than publish our work? And how do you deal with your reality in writing, whether in fiction or nonfiction?
We start with a listener question about writing a culture that is not our own, and take off on a journey of writing what you don’t know, or the “other”. Why is it a political hot potato? And how can you be careful in your writing? We talk about the problem of stereotypes, and our own view from the “white middle class”. In the end it all comes down to being careful, researching well, and writing from a place of deep empathy for your whole character!
What are the advantages and pitfalls of using real places and names in your writing? What should you fictionalize, and what can you leave the same? It all comes down to genre expectations, how close to reality you want to be, and not pulling your readers out of your story!
What is the psychology of storytelling? And how do we factor it into our writing process? Why do we tell stories? And how can we tap into the power of verbal storytelling?
This week, Alida, Kathryn, and Robert discuss the year to come. If you haven't already, listen to last week's show, 2018 Year in Review. We get into not only where we'd like to be heading, but will keep us motivated with lots of tips, tricks, and recommendations. I've...