You’ll want to join me in this year’s 7th annual Women in Publishing Summit. It’s he biggest 4-day, online conference...
You’ll want to join me in this year’s 7th annual Women in Publishing Summit. It’s he biggest 4-day, online conference...
Dive into an extraordinary conversation on the Story Works Round Table as D. Liebhart, an ICU nurse turned award-winning author, reveals the intricate process of transforming real-life experiences into captivating fiction. In this episode, we explore the ethical and moral complexities of her debut novel, House on Fire, and delve into the delicate balance between truth and storytelling. Join us as we uncover the layers of memory, emotion, and craft that shape a writer’s journey from personal history to the pages of a novel.
What are the advantages and pitfalls of using real places and names in your writing? What should you fictionalize, and what can you leave the same? It all comes down to genre expectations, how close to reality you want to be, and not pulling your readers out of your story!
What is the psychology of storytelling? And how do we factor it into our writing process? Why do we tell stories? And how can we tap into the power of verbal storytelling?
This week, Alida, Kathryn, and Robert discuss the year to come. If you haven't already, listen to last week's show, 2018 Year in Review. We get into not only where we'd like to be heading, but will keep us motivated with lots of tips, tricks, and recommendations. I've...
What did we learn from 2018? Did we meet our goals? And do we struggle to see ourselves as writers? Alida gives us a challenge for 2019, and we hope you will join in too!
If your story doesn’t have a bad guy, what do you have? How can you use stories about nature or society to craft a non-personified antagonist? Do you have to have characters involved? And are these external, or internal forces? What effect does this have on your story? And how can you keep a reader interested?
Why is it important to take emotional risks in your writing? And why is it easier for some writers and not for others? When should you take the risks? And how does it change from fiction to creative non-fiction? Letting your mess onto the page can turn a good story into a great story, and it all starts with what you are passionate about.
What is the difference between script writing for the screen, and novel writing? How do the writing processes overlap? And how beneficial is the established collaboration within screenwriting? What are the benefits (and pitfalls) of the technicalities and structure of screenwriting as a novel writer? And are we tapping into our knowledge of film? Go out and study structure, story, and screenwriting! An informed writer is a better writer!
Alida, Kathryn, and Matt welcome designer Daria Brennan of Beegraphica to SWRT. We take a look at the 6 side by side pairs of covers Daria brought us to examine and discuss.
Can an author do their own cover? What is it like to work with a professional cover designer? And how should you start the process? Explore market and genre conventions, as well as some tricky pitfalls of wanting a person on your cover. We even talk about how hard it was to find the houses for Alida’s covers!