Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 294 | Genre – What is it, anyway?

SWRT 294 | Genre – What is it, anyway?

This week on the Story Works Round Table, Alida, Carlee, and Robert go deep with the question of what makes a genre a genre? Discover the nuances of crafting stories and targeting the right readership. We dissect the concept of genre as both a craft and marketing tool. It’s far more useful to us writers than just a marketing category. Writing to market is often confused with marketing. And what about those of us who strive to be “pure artists,” putting categories at the end of the process? Whether you aim to meet or subvert reader expectations, there’s more to your genre than meets the eye.

“Genre determines what the story is trying to do.”

“If you get lost in a story and you’re not quite sure where you’re taking it, it’s often because you’re not clear on genre.”

SWRT 293 | Revision with D. Liebhart

SWRT 293 | Revision with D. Liebhart

This week on the Story Works Round Table, Alida and Kathryn are joined by D. Liebhart.

Revision is more than just fixing typos and filling plot holes; it’s about delving deep into the heart of the story and ensuring every word, every character, and every twist aligns with the author’s vision. D. discusses the challenges she faced revising her award-winning novel, House on Fire, from seeking perfection to knowing when to let go. We talk about the importance of actionable feedback, the dynamics of writing groups, and the critical decision to step away when the process no longer serves the story.

Whether you’re a seasoned author or just starting, this episode is packed with wisdom. D.’s experiences remind us that the journey of revision is unique to every writer. It’s a process that requires patience, honesty, and sometimes the courage to start anew.

SWRT 091 | Going Deeper into Emotional Risks

SWRT 091 | Going Deeper into Emotional Risks

Why are we compelled by the truth in our lives? And how can we make art out of emotional risks? When should we protect the people we’ve written about rather than publish our work? And how do you deal with your reality in writing, whether in fiction or nonfiction?

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SWRT 090 | Writing Otherness

We start with a listener question about writing a culture that is not our own, and take off on a journey of writing what you don’t know, or the “other”. Why is it a political hot potato? And how can you be careful in your writing? We talk about the problem of stereotypes, and our own view from the “white middle class”. In the end it all comes down to being careful, researching well, and writing from a place of deep empathy for your whole character!

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SWRT 089 | Setting: Story Places Based on Real Places

What are the advantages and pitfalls of using real places and names in your writing? What should you fictionalize, and what can you leave the same? It all comes down to genre expectations, how close to reality you want to be, and not pulling your readers out of your story!

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SWRT 087 | 2019 New Year New Goals

This week, Alida, Kathryn, and Robert discuss the year to come. If you haven't already, listen to last week's show, 2018 Year in Review. We get into not only where we'd like to be heading, but will keep us motivated with lots of tips, tricks, and recommendations. I've...

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SWRT 086 | 2018 Year in Review

What did we learn from 2018? Did we meet our goals? And do we struggle to see ourselves as writers? Alida gives us a challenge for 2019, and we hope you will join in too!

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SWRT 085 | Antagonistic Forces

If your story doesn’t have a bad guy, what do you have? How can you use stories about nature or society to craft a non-personified antagonist? Do you have to have characters involved? And are these external, or internal forces? What effect does this have on your story? And how can you keep a reader interested?

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SWRT 084 | Taking Emotional Risks in Your Fiction

SWRT 084 | Taking Emotional Risks in Your Fiction

Why is it important to take emotional risks in your writing? And why is it easier for some writers and not for others? When should you take the risks? And how does it change from fiction to creative non-fiction? Letting your mess onto the page can turn a good story into a great story, and it all starts with what you are passionate about.

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SWRT 083 | The Intersection of Script-writing & Novel-writing

SWRT 083 | The Intersection of Script-writing & Novel-writing

What is the difference between script writing for the screen, and novel writing? How do the writing processes overlap? And how beneficial is the established collaboration within screenwriting? What are the benefits (and pitfalls) of the technicalities and structure of screenwriting as a novel writer? And are we tapping into our knowledge of film? Go out and study structure, story, and screenwriting! An informed writer is a better writer!

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