Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 296 | Writers Book Club: Checkhov

SWRT 296 | Writers Book Club: Checkhov

This week on the Story Works Round Table, Alida and Kathryn discuss Chekhov’s story, “The Woman with the Little Dog.” You can get the link to read it in the show notes.

“Everything that he found important, interesting, necessary, in which he was sincere and did not deceive himself, which constituted the core of his life, occurred in secret from others.” -Checkhov

Unpack the layers of Anton Chekhov’s poignant short story, “The Lady with the Little Dog,” in this thought-provoking episode of Story Works Round Table. Alida and Kathryn dissect the narrative’s exploration of love, regret, and societal imprisonment. As they navigate through the characters internal struggles and the story’s critique of marital conventions, listeners are invited to consider depth of character emotion, subtext, and presenting social commentary through story.

Are you ready to get more out of your writing, to grow your writing skills, and get that novel done faster? Do you want community, feedback, and mentoring? Check out group coaching for novelists. New Summer Session begins at the end of May. Get details & schedule your free discovery call today at www.wordessential.com/fictioncoaching

Get Alida’s reflections on life, writing, and the writing life in A Room Full of Books & Pencils. booksandpencils.substack.com

SWRT 296 | Writers Book Club: Checkhov

SWRT 295 | Writers Book Club: Gina Berriault

This week on the Story Works Round Table we discuss Gina Berriault’s flash fiction story, “The Woman in the Rose Colored Dress.” At only 2 1/2 pages, it packs in remarkable sentences, the experience of time passing, incredible subtext in minimal dialogue, and a realistic coming of age story when a girl makes a discovery about her father that shifts her understanding of the world. Get the link in our show notes to read the story yourself.

Join my new group coaching session for writers. Get your free discovery call today: www.wordessential.com/fictioncoaching

SWRT 086 | 2018 Year in Review

What did we learn from 2018? Did we meet our goals? And do we struggle to see ourselves as writers? Alida gives us a challenge for 2019, and we hope you will join in too!

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SWRT 085 | Antagonistic Forces

If your story doesn’t have a bad guy, what do you have? How can you use stories about nature or society to craft a non-personified antagonist? Do you have to have characters involved? And are these external, or internal forces? What effect does this have on your story? And how can you keep a reader interested?

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SWRT 084 | Taking Emotional Risks in Your Fiction

SWRT 084 | Taking Emotional Risks in Your Fiction

Why is it important to take emotional risks in your writing? And why is it easier for some writers and not for others? When should you take the risks? And how does it change from fiction to creative non-fiction? Letting your mess onto the page can turn a good story into a great story, and it all starts with what you are passionate about.

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SWRT 083 | The Intersection of Script-writing & Novel-writing

SWRT 083 | The Intersection of Script-writing & Novel-writing

What is the difference between script writing for the screen, and novel writing? How do the writing processes overlap? And how beneficial is the established collaboration within screenwriting? What are the benefits (and pitfalls) of the technicalities and structure of screenwriting as a novel writer? And are we tapping into our knowledge of film? Go out and study structure, story, and screenwriting! An informed writer is a better writer!

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SWRT 081 | Designing Covers with Daria Brennan

Can an author do their own cover? What is it like to work with a professional cover designer? And how should you start the process? Explore market and genre conventions, as well as some tricky pitfalls of wanting a person on your cover. We even talk about how hard it was to find the houses for Alida’s covers!

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SWRT 080 | The Story Premise

What is a premise and how elaborate does it need to be? Does a premise limit your imagination or story? How do you know if you have a full premise, or just a piece of the story? And how long should you work on that premise?

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SWRT 079 | Approaches to Revision

We’ve all heard the advice to rest your manuscripts before you revise, but how much is that really necessary? When is it a beneficial tool, and when should you dive right into your revision passes? What are some tools we can use to better look at our manuscripts? And how can you change your perspective in order to uncover more flaws in your writing?

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SWRT 078 | Fatal Flaw

What is a fatal flaw? And how can you develop one for your character? How should the fatal flaw be resolved through your book or series? And how can you keep your characters irrational behavior believable to your readers? Remember that a stories endpoint and a flaws true resolution doesn’t have to be the same thing. Now dig deep into your characters past and find that fatal flaw!

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