You’ll want to join me in this year’s 7th annual Women in Publishing Summit. It’s he biggest 4-day, online conference...
SWRT 290 | Real Life to Fiction with D. Liebhart
Dive into an extraordinary conversation on the Story Works Round Table as D. Liebhart, an ICU nurse turned award-winning author, reveals the intricate process of transforming real-life experiences into captivating fiction. In this episode, we explore the ethical and moral complexities of her debut novel, House on Fire, and delve into the delicate balance between truth and storytelling. Join us as we uncover the layers of memory, emotion, and craft that shape a writer’s journey from personal history to the pages of a novel.
SWRT 082 | Book Covers with Daria Brennan, part 2
Alida, Kathryn, and Matt welcome designer Daria Brennan of Beegraphica to SWRT. We take a look at the 6 side by side pairs of covers Daria brought us to examine and discuss.
SWRT 081 | Designing Covers with Daria Brennan
Can an author do their own cover? What is it like to work with a professional cover designer? And how should you start the process? Explore market and genre conventions, as well as some tricky pitfalls of wanting a person on your cover. We even talk about how hard it was to find the houses for Alida’s covers!
SWRT 080 | The Story Premise
What is a premise and how elaborate does it need to be? Does a premise limit your imagination or story? How do you know if you have a full premise, or just a piece of the story? And how long should you work on that premise?
SWRT 079 | Approaches to Revision
We’ve all heard the advice to rest your manuscripts before you revise, but how much is that really necessary? When is it a beneficial tool, and when should you dive right into your revision passes? What are some tools we can use to better look at our manuscripts? And how can you change your perspective in order to uncover more flaws in your writing?
SWRT 078 | Fatal Flaw
What is a fatal flaw? And how can you develop one for your character? How should the fatal flaw be resolved through your book or series? And how can you keep your characters irrational behavior believable to your readers? Remember that a stories endpoint and a flaws true resolution doesn’t have to be the same thing. Now dig deep into your characters past and find that fatal flaw!
SWRT 077 | Story Structure part 2
What is Act 2 and why do writers struggle with it? How should you plot Act 2 and what questions should you ask yourself in each and every scene? How do you use subplots and supporting characters to flesh out Act 2? Remember you are writing from the inciting incident to the beginning of Act 3, not all the way to the climax. And that turning point into your climax should be awesome. Act 2 is not going to look great at the end of your first draft, it’s all about weaving in details, subplots, and revelations. Just make sure it gets the attention that it deserves!
SWRT 076 | Character Agency
What is agency? How does it work in your story? And what does it look like? When is your plot driving your character, rather than your character driving the plot? How can you diagnose agency issues? And how can you maintain that agency all the way through your climax, even with a cast of characters?
SWRT 075 | Story Structure
What is story structure? And do you need to know everything about it before you write? How should you story fit and where is there wiggle room? What is the difference between an opening hook and an inciting incident? And how important is that midpoint? Remember that you can always innovate your story, but the basics of structure will be there.
SWRT 074 | Nicey Nice
What is nicey-nice? How can you use character flaws and irrational reactions to combat it? As a writer we need to remember to push boundaries, silence that inner critic, and steer clear of writing our own reactions into our character. So how do you fix a section that is too nice? And how can you use character reactions to build tension into your story? Make your characters reactions messy and their relationships imperfect and you’ll be on your way to writing characters that keep the reader engaged!