Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 294 | Genre – What is it, anyway?

SWRT 294 | Genre – What is it, anyway?

This week on the Story Works Round Table, Alida, Carlee, and Robert go deep with the question of what makes a genre a genre? Discover the nuances of crafting stories and targeting the right readership. We dissect the concept of genre as both a craft and marketing tool. It’s far more useful to us writers than just a marketing category. Writing to market is often confused with marketing. And what about those of us who strive to be “pure artists,” putting categories at the end of the process? Whether you aim to meet or subvert reader expectations, there’s more to your genre than meets the eye.

“Genre determines what the story is trying to do.”

“If you get lost in a story and you’re not quite sure where you’re taking it, it’s often because you’re not clear on genre.”

SWRT 293 | Revision with D. Liebhart

SWRT 293 | Revision with D. Liebhart

This week on the Story Works Round Table, Alida and Kathryn are joined by D. Liebhart.

Revision is more than just fixing typos and filling plot holes; it’s about delving deep into the heart of the story and ensuring every word, every character, and every twist aligns with the author’s vision. D. discusses the challenges she faced revising her award-winning novel, House on Fire, from seeking perfection to knowing when to let go. We talk about the importance of actionable feedback, the dynamics of writing groups, and the critical decision to step away when the process no longer serves the story.

Whether you’re a seasoned author or just starting, this episode is packed with wisdom. D.’s experiences remind us that the journey of revision is unique to every writer. It’s a process that requires patience, honesty, and sometimes the courage to start anew.

SWRT 077 | Story Structure part 2

What is Act 2 and why do writers struggle with it? How should you plot Act 2 and what questions should you ask yourself in each and every scene? How do you use subplots and supporting characters to flesh out Act 2? Remember you are writing from the inciting incident to the beginning of Act 3, not all the way to the climax. And that turning point into your climax should be awesome. Act 2 is not going to look great at the end of your first draft, it’s all about weaving in details, subplots, and revelations. Just make sure it gets the attention that it deserves!

read more

SWRT 076 | Character Agency

What is agency? How does it work in your story? And what does it look like? When is your plot driving your character, rather than your character driving the plot? How can you diagnose agency issues? And how can you maintain that agency all the way through your climax, even with a cast of characters?

read more
SWRT 075 | Story Structure

SWRT 075 | Story Structure

What is story structure? And do you need to know everything about it before you write? How should you story fit and where is there wiggle room? What is the difference between an opening hook and an inciting incident? And how important is that midpoint? Remember that you can always innovate your story, but the basics of structure will be there.

read more

SWRT 074 | Nicey Nice

What is nicey-nice? How can you use character flaws and irrational reactions to combat it? As a writer we need to remember to push boundaries, silence that inner critic, and steer clear of writing our own reactions into our character. So how do you fix a section that is too nice? And how can you use character reactions to build tension into your story? Make your characters reactions messy and their relationships imperfect and you’ll be on your way to writing characters that keep the reader engaged!

read more
SWRT 073 | Stakes & Agency

SWRT 073 | Stakes & Agency

What are stakes? And how does your characters agency interact with them? How do you make your stakes personal and individual for your character? And how can you use your stakes to evaluate your plot structure? How should the stakes change through the story? And how do the stakes affect your characters actions? Remember, your characters agency must be the thing that drives your story forward!

read more

SWRT 072 | Killing Your Characters

Why is killing characters important? How should we approach killing characters? And what are the reasons for doing it? How can it affect your story and your protagonist’s journey? What genres rely on killing characters? And how should you approach killing “extras” in your book? Even nameless characters can have a huge impact – so use your tools wisely!

read more

SWRT 071 | Pacing

What is pacing? How do you decide the best pace for your story? And how do you achieve that pace? What kind of effect can pacing have for your readers? And why is pacing so different between books and movies? Check out the things we’ve mentioned section to check out those books we talked about – those we loved and even those we didn’t.

read more

SWRT 070 | Writing Emotions

How should you use layers of emotion? And at what point in the writing process should you focus on getting them on the page? How should your character express their emotions and when can you tell if you are throttling them? Remember that not everything has to be big to be powerful and that each emotional moment for your character will have an emotional tail.

read more

SWRT 069 | How to End your Story

What is the purpose of your ending? How do you create space for the reader to really feel the emotional impact of your story? And when should you plan how you are going to tie up those plot points and emotional questions you opened at the beginning of your story? How...

read more