You’ll want to join me in this year’s 7th annual Women in Publishing Summit. It’s he biggest 4-day, online conference...
SWRT 290 | Real Life to Fiction with D. Liebhart
Dive into an extraordinary conversation on the Story Works Round Table as D. Liebhart, an ICU nurse turned award-winning author, reveals the intricate process of transforming real-life experiences into captivating fiction. In this episode, we explore the ethical and moral complexities of her debut novel, House on Fire, and delve into the delicate balance between truth and storytelling. Join us as we uncover the layers of memory, emotion, and craft that shape a writer’s journey from personal history to the pages of a novel.
SWRT 068 | Evoking Emotion
Why do you want to evoke emotions in your reader? And what are some nuts and bolts ways to make that happen? Remember to stick to the basics, to structure your emotional payoffs, and that even emotions deserve an arc. We talk about how to handle this with tension and release, your character’s arc, and offsetting it from your physical climaxes. Don’t stray into melodrama, and keep that emotional pull all the way to the end of your novel!
SWRT 067 | Character Descriptions
How should you introduce your characters? We each bring an example showing how to use action or narrative exposition to introduce your character to your reader. Remember just like everything in writing your description should do more than just describe your character.
SWRT 066 | Theme
How do you define a stories theme? And should you start with a theme or let it develop naturally? We talk about how you can use the theme as a revelation, as well as how it connects readers to authors. Use theme as a layer of your story, balanced with the rest of your elements. And finally, Alida challenges us to write a story to a theme!
SWRT 065 | Writing Groups
This week's show is pulled from the archives. Previously released as video-only episode 2. Alida, Kathryn, and Matt discuss writing groups. What to look for, how you might benefit, when to join and when to run! VIDEO AUDIO SHOW NOTES What we talked about: The...
SWRT 064 | Story Collections, Novel-in-Stories, Serialization
How do you approach a short story collection? And when do you know you are writing one? What is the difference between a collection of short stories and a novel-in-stories? And what are the challenges of writing a short story collection? Why do some genre’s seem to lend themselves to serialization? And what is the difference between a serialized work, and a collection of short stories?
SWRT 063 | Short Stories: How they differ from novels
We all know short stories are short, but how does that change the way you write them? What is it with short stories and the ambiguous ending? And how can you tell if you are writing a short story, a lead magnet, or just a scene? Short stories are a great tool to use to better your writing craft so go out and write some, read some more, and enjoy yourself!
SWRT 062 | Energizing Dialogue
What should you do with dialogue heavy passages? How can you break it up? Should you worry about it in the first draft? What are revision techniques to catch your dialogue heavy sections? How can you approach teaching your character? What are some techniques to layer in information? And how do you use them correctly? The most important thing is to focus on what you want to achieve, and figure out how best to communicate that with your reader.
SWRT 061 | Character Motivation
How do we address character motivation? Do we struggle with it? When do we work it into our stories? How can you get to know your character better in order to develop that motivation? What are the three layers of motivation? And how do you plan for your characters motivation over a series? What happens when your character has competing motivations?
SWRT 060 | Everything You Need to Know About Show, Don’t Tell, part 2
What is psychic distance and filtering? How can we use our writers gaze properly? How do you get rid of your frame and allow the reader to fill in the gaps? Don’t forget to use all your senses and put your characters in action in your space in order to show effectively.