We discuss story craft in Junot Diaz’s short story “Fiesta, 1980” at this week’s writers book club on the Story Works Round Table podcast.
We discuss story craft in Junot Diaz’s short story “Fiesta, 1980” at this week’s writers book club on the Story Works Round Table podcast.
This week on the Story Works Round Table, Alida and Kathryn discuss bookending a story, drawing on our recent discussion of Ethan Frome. Edith Wharton masterfully uses prologues and epilogues to frame the story and provide meaning. We analyze how the framing devices are essential to understanding the themes and events. Then explore examples of other books that also use framing devices well to provide narrative distance and allow readers to understand the story’s significance.
Revision – love it? Hate it? How do we approach it? What should your mindset be when you approach revision? And how long does it take us? Revision is just a part of the process and a necessary one! So learn to enjoy it!
How do we draft our first drafts? And how do you handle problems that come up while you are drafting? What tools do we use? And remember, it’s your first draft for a reason!
Why do we desire to set goals for the new year? And why Robert hates goal setting? What is the framework of inputs and outcomes and how can we use it to avoid goal overwhelm? We talk about the power of the to do list, and that you must know yourself and your tendencies in order to be successful. In the end Alida wraps it up in one neat bundle of tips!
How do you stay motivated when life takes over your days? We talk about the issue of negative motivation, and how you can use motivation as a verb. What motivates us? How can you reconnect to the feeling of writing? We talk challenges, deadlines, writing in small chunks, and wrap up with our tips and tricks to keep ourselves motivated.
What is backstory? And how is it used in your story? What is the difference between backstory and history? How do you know when backstory is needed? And how should you interweave it into your story?
Welcome back Robert! Since Robert just got back from a recent trip, we dive into the idea of travel. Are we travelers? And how far do you have to go to refresh your writing brain? What if you can’t afford to travel? And should your travel involve writing? What are the benefits of breaking out of your routine? And how should you record your travel for later?
What are some benefits of writing short? How can you make sure your writing is working for your readers? And what are some challenges we face as writers? Finally we talk about what process to go through as you seek to improve your writing!
How do you make writing interesting to kids? How can you evaluate any kind of writing to make it better? And how do you get anyone, regardless of their age, excited and passionate about creating great writing? We explore six traits of writing, how to find your writing territory, and the importance of publishing your work.
What is a character arc? What are the three kinds of character arcs and four main components of a character arc? How can you use Maslow’s hierarchy of needs to help with pre-writing? And how present does your characters wound need to be? Should you state it outright? Or should you weave it into the narrative? How many of your characters need wounds? And how can it affect your antagonist? Finally we discuss the details of finding your wound, and what it might do to your character.