Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 277 | Contests with Paula Sheridan

SWRT 277 | Contests with Paula Sheridan

This week on the Story Works Round Table, Alida has Paula Sheridan of the Page Turner Awards joining me at the Round Table to discuss contests. We talk the reasons for entering contests, what judges look for, and getting your manuscript in shape before placing it in judge’s hands.

I’m especially excited about today’s show, because Paula founded the Page Turner Awards. She and her husband, Ken, are doing something unique—at least I’ve never of heard of it being done before.

They are bridging the traditional and indie worlds, holding an annual contest for writers of all stripes and any genre in one place. Not only that, a trophy is nice and a gold seal on your cover does boost sales, but how about winning a mentorship with a developmental editor? How about winning your book being adapted to audio or a screenplay?

Visit www.storyworkspodcast.com to grab Paula’s gifts to Story Works Round Table listeners and get links to all the great craft episodes you’ll want to get your work in shape for the judges!

Fiction Group Coaching new session begins in May. Schedule a discovery call with Alida today. www.wordessential.com/editing/coach.

This week on the Story Works Round Table, Alida has Paula Sheridan of the Page Turner Awards joining me at the Round Table to discuss contests. We talk the reasons for entering contests, what judges look for, and getting your manuscript in shape before placing it in judge’s hands.

I’m especially excited about today’s show, because Paula founded the Page Turner Awards. She and her husband, Ken, are doing something unique—at least I’ve never of heard of it being done before.

They are bridging the traditional and indie worlds, holding an annual contest for writers of all stripes and any genre in one place. Not only that, a trophy is nice and a gold seal on your cover does boost sales, but how about winning a mentorship with a developmental editor? How about winning your book being adapted to audio or a screenplay?

Visit www.storyworkspodcast.com to grab Paula’s gifts to Story Works Round Table listeners and get links to all the great craft episodes you’ll want to get your work in shape for the judges!

Fiction Group Coaching new session begins in May. Schedule a discovery call with Alida today. www.wordessential.com/editing/coach.

SWRT 276 | Things We Say

SWRT 276 | Things We Say

This week on the Story Works Round Table, Kathryn turns the table on Alida. We talk “things we say,” all those bits and bobbles of craft speak that get tossed around but not always defined. What does it mean to be tightly plotted? Does every character need a lie or core wound, and are those the same thing?

SWRT 031 | Writing Skills, part 2

SWRT 031 | Writing Skills, part 2

What are some benefits of writing short? How can you make sure your writing is working for your readers? And what are some challenges we face as writers? Finally we talk about what process to go through as you seek to improve your writing!

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SWRT 030 | Writing Skills with Steve Peha

SWRT 030 | Writing Skills with Steve Peha

How do you make writing interesting to kids? How can you evaluate any kind of writing to make it better? And how do you get anyone, regardless of their age, excited and passionate about creating great writing? We explore six traits of writing, how to find your writing territory, and the importance of publishing your work.

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SWRT 029 | Emotional Wounds & Character Arcs

SWRT 029 | Emotional Wounds & Character Arcs

What is a character arc? What are the three kinds of character arcs and four main components of a character arc? How can you use Maslow’s hierarchy of needs to help with pre-writing? And how present does your characters wound need to be? Should you state it outright? Or should you weave it into the narrative? How many of your characters need wounds? And how can it affect your antagonist? Finally we discuss the details of finding your wound, and what it might do to your character.

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SWRT 028 | Emotional Wounds

SWRT 028 | Emotional Wounds

We sit down with Becca Puglisi to talk all things Emotional Wounds, and other writing resources. We talk about the resources she has for writers, and how they can be used in a wide range of applications. How can we use them to help show rather than tell, and make your writing richer and more immersive? We talk about writing challenging personal things, how to use character growth to challenge readers and why context is so important. And what is the difference between a villain and protagonist?

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SWRT 027 | First Person Point of View

  Alida, Kathryn, and Robert discuss the first person point of view (1st person POV). We get into strengths and weaknesses, a common misconception, and the popularity of first person in YA and NA fiction. Before you listen to this episode make sure you have...

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SWRT 026 | Writing Villains

Is writing villains easy? How can you develop a villain without a point of view? Is a villain always seen as evil? How can you get into your villains head? Can we effectively troubleshoot our own villains? And what about writing them with a point of view? So take your villain, give them a good shave and a motivation and get writing!

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SWRT 025 | Re-readable Books

Should all authors aspire to write a re-readable book? Does it have to be re-readable in order to be enjoyable? What can we learn from books we have re-read? We talk about reasons we re-read books, get deep into a food analogy, and leave you with a large list of our favorites we hope you enjoy!

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SWRT 024 | Twists

What is a twist and how do you separate it from your typical surprising ending? Do all twists have to be massive plot level revelations? And is a twist just a gimmick? Should all books have twists? And at what point in your story should your twist arrive? Finally – we discuss how all stories can have twists and challenge everyone to write one of their own!

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SWRT 023 | 3D Villains

What makes a good villain? How do you avoid cliches? How do you effectively layer your villains? And how do you use villains in different genres? Can you have an ideal as a villain? And what about those villains we don’t vanquish by the end of the book? Don’t forget that your villainy must be tangible to your protagonist and relatable to your reader!

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