This week, Alida and Kathryn welcome Adrienne Young and Isabel Ibañez to the Story Works Round Table to chat about...
SWRT 278 | Outlining Your Novel
This week on the Story Works Round Table, Alida & Kathryn discuss the process of outlining. There is more to talk about than we might first think. Why is outlining useful? How should we go about it to make sure it’s a time saver and not a time waster? Does it help to outline more than once in the writing process?
Outlining (or storyboarding) is a great way to assess the story you’re writing before and during the lengthy process of novel drafting. The more experienced a writer you are, the more valuable the tool seems to be!
Are you ready to get more out of your writing, to grow your writing skills, and get that novel done faster? Do you want community, feedback, and mentoring? Check out group coaching for novelists. A new session begins in May. www.wordessential.com/fictioncoaching
SWRT 026 | Writing Villains
Is writing villains easy? How can you develop a villain without a point of view? Is a villain always seen as evil? How can you get into your villains head? Can we effectively troubleshoot our own villains? And what about writing them with a point of view? So take your villain, give them a good shave and a motivation and get writing!
SWRT 025 | Re-readable Books
Should all authors aspire to write a re-readable book? Does it have to be re-readable in order to be enjoyable? What can we learn from books we have re-read? We talk about reasons we re-read books, get deep into a food analogy, and leave you with a large list of our favorites we hope you enjoy!
SWRT 024 | Twists
What is a twist and how do you separate it from your typical surprising ending? Do all twists have to be massive plot level revelations? And is a twist just a gimmick? Should all books have twists? And at what point in your story should your twist arrive? Finally – we discuss how all stories can have twists and challenge everyone to write one of their own!
SWRT 023 | 3D Villains
What makes a good villain? How do you avoid cliches? How do you effectively layer your villains? And how do you use villains in different genres? Can you have an ideal as a villain? And what about those villains we don’t vanquish by the end of the book? Don’t forget that your villainy must be tangible to your protagonist and relatable to your reader!
SWRT 022 | Inspiration
What is a high concept idea? And do you need one in order to write? Should you build your story around your theme or let it emerge through your story? And what about writing to genre conventions? We talk about what inspires us, how to write in and out of the box, and shut down that voice of resistance in your head!
SWRT 021 | Distinct Characters
How do you know if you have created a distinct character? How important is role? And what is a supporting character anyway? How do motivation and subplot work toward giving your characters individuality? And what sort of tools can you use to help create these individuals? In the end Alida wraps it all up together, and even gives some great exercises to help you create distinct characters.
SWRT 020 | Setting
How is setting different from world building? What do you put on the page and what should you leave out? How much detail is too much detail? And how do you keep your setting active in your story? Robert gives great practical ways to evaluate your style of writing setting, and how to make it better!
SWRT 019 | Trouble
What is trouble? How does it contribute to both character and plot arcs? How do you have to pay off trouble? And do you have to get it into every scene? We enjoy making a character struggle with a speeding ticket, and talk about how it can contribute to hooks both between chapters and books.
SWRT 018 | Naming
At what point does a character or place earn a name? How do naming and significance relate? And how do you keep nameless characters descriptors from becoming boring or repetitive? And what about real world places? Is there such thing as a short cut? And finally we commiserate about the difficulty of naming characters. We all just want them to sound awesome!