Writing good sex scenes into your novels is about more than showing a little skin. This is a clean conversation about the craft of sex scenes. Show notes and more!
SWRT 272 | Chapter End-hooks
This week, Alida and Kathryn talk about ending chapters so that readers can’t wait to “jump the gap” and get on with the next one. What kind of end-hooks work and how? Do we instinctively know where to place our chapter breaks? Is there a formula to follow? Or maybe the story guides us? How to handle end-hooks when you change POV characters at the chapter break? When not to use an epigraph before your chapters, and more!
SWRT 013 | Plotting Science Fiction with Chris Fox
How important is the science in science fiction? What are some conventions of science fiction? And when should you break them? How can you use names to bridge the familiar and unfamiliar? And are there any genres you can’t mash in with science fiction?
SWRT 012 | Foreshadowing
As a writer, do you consciously try for foreshadowing, or is it a miraculous surprise? What feeling should foreshadowing give the reader? And what are the differences between foreshadowing, laying clues, or layering plot elements? What truly is the nuance of this portion of the craft, and is it okay that all of us have different definitions?
SWRT 011 | Openings – Reading/Reacting
We take a deep dive into three sample openings from literary novels. Want to know what your readers latch on to? How do you deliver a strong character in just a few paragraphs? And can you telegraph what your story is about in such a small space? What are the most important elements of an opening? And do we want to keep reading?
SWRT 010 | Genre Series: Mystery Plots with Sara Rosett
What makes a mystery plot different from other kinds of genre plots? When should your body show up? And how do you finesse the art of keeping readers in suspense? When and how should you craft your twists, and how do point of view and genre limit your mystery plot points? And how do you keep your protagonist from just calling the police?
SWRT 009 | Middle Grade Fantasy with Alina Sayre
How does a writers philosophy of writing affect their voice? And how does the canon of literature you grew up on help you develop as a writer? What are the differences between middle grade and adult fantasy? And what is a middle grade reader looking for? Can you write to specific themes within a middle grade book? And how do you get those children to sound like children while still driving your story? Above all, it’s all about staying true to your own voice and who you are as a writer!
SWRT 008: Making the Unfamiliar Familiar
What does it mean to make the unfamiliar familiar? And what parts of your story does that apply to? What is our rule of thumb and why would you want to break it? How should you approach culture? And how often should you touch on new things? Don’t forget, your unique things are what hook the reader!
SWRT 007 | Arcless Protagonists
Is it even possible to have an arcless protagonist? What is an arcless protagonist? After diving into some famous and beloved arcless protagonists, we dive into how to make it work. How can you use your secondary characters to create emotional resonance? And how can you keep that emotional buy in through a series? Do you need the same supporting characters around your arcless protagonist? And what are some of the drawbacks to using one? Just remember: an arcless protagonist is the exception, not the rule!
SWRT 006 | Genre Series: Science Fiction with Chris Fox
How did Chris Fox start writing science fiction? And how can you write a science fiction book with limited research? What is classic science fiction about anyway, and how does it compare with today? If you want to write science fiction, what are some technological and science based tropes you should be aware of? And how should you approach alien characters? Don’t make your readers work too hard! And how can you make tropes work for you?
SWRT 005: Soggy Middle Problem
Alida, Kathryn, and Robert discuss the soggy middle problem and what to do about it. Keep your action interesting and stakes and tension rising throughout the entire story. VIDEO AUDIO SHOW NOTES What is a soggy middle? And what kind of writers tend to have...