Story Works Round Table Archives - Page 40 of 64 - Story Works Round Table Podcast

SWRT 267 | Agency

Oct 20, 2022

This week on the Story Works Round Table, Alida, Kathryn, & Robert discuss character agency. In this, Robert’s final episode as a co-host, he brought us the question of what to do with a character who is kept “on the back foot”? How do you write a protagonist with agency when the hero is in a position that seemingly rules out taking charge? This episode will be linked in the show notes to all related episodes in the library.

Would you like to be considered as the next co-host on the Story Works Round Table? Drop me a line!

Show notes, links, & more at www.StoryWorksPodcast.com.

SWRT 266 | Writing Humor

Oct 6, 2022

This week, Alida, Robert, and Kathryn answer a listener’s question about writing humor into our stories. Is comedy just a special gift some writers have and the rest of us don’t? Or are there things we can craft to make our story moments funny?

Join us as we explore the topic and let us know your favorite funny authors as well as how you handle comedic moments in your writing. Share in the comments below. We’d love to hear from you!

Do you have a question or topic you’d like us to explore? Let us know. We’d be happy to!

SWRT 27: First Person Point of View

Mar 23, 2017

Continuing our conversations on point of view, we take a look at first person point of view. We delve into common misconceptions about first person point of view, and challenges that writers face with the viewpoint. How can you utilize first person to develop your characters voice? And why does young adult fiction seem to prefer the first person point of view?

SWRT 26: Introduction to Point of View

Mar 16, 2017

What is point of view, how do we use it, and what are the different nuances behind it? What is a narrator and how does the narrative voice effect the story? Did you pick the wrong point of view characters? And how can point of view create nuance and depth in your writing?

SWRT 25: Trouble

Mar 9, 2017

What is trouble? How does it contribute to both character and plot arcs? How do you have to pay off trouble? And do you have to get it into every scene? We enjoy making a character struggle with a speeding ticket, and talk about how it can contribute to hooks both between chapters and books.

SWRT 24: Soggy Middle Problem

Mar 1, 2017

What is a soggy middle? And what kind of writers tend to have problems with it? Are you giving your middle the attention and care it deserves? And what makes a soggy middle after all? After some much needed middle shaming we all agree – do not tolerate a soggy middle!

SWRT 23: Writing in Two Languages with Anja Bauermeister

Feb 23, 2017

What is it like to write in two different languages? How do you make that choice and why pick one over the other? How does it affect voice and how can immersion in the project effect that coveted flow state?

SWRT 22: Writing Prompts part 2

Feb 14, 2017

This week, in a continuation of writing prompts part 1, we share our freewriting. In addition to reading and reacting to our writing, we talk about the benefits of sharing writing prompts with others, what cultural touchstones we drew on, and the implicit issues genetic manipulation brings.

SWRT 21: Writing Prompts part 1

Feb 9, 2017

What is the purpose of writing prompts? And how are they useful? When and how should you use them? And what kind of formats can you see them in? We share our own experiences and share some prompts. Join us for a writing prompt and listen in next week as we read our free writing aloud.

SWRT 20: Translations into German

Feb 2, 2017

Get to know Anja and Christina and their work as German translators. Ever wonder about the process of taking a book from one language to another? What about how the translator takes your words and conveys them in another language? And what is the level of trust you are extending? And don’t forget that a different language is a different market!

SWRT 19: Revision

Jan 26, 2017

How many drafts should you go through before you finish your book? And what draft should you send your developmental editor? Is rewriting or revision the answer? And how should you analyze that work in progress in order to find it’s flaws?

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