Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 263 | Act II

SWRT 263 | Act II

Does this sound familiar? Robert: A big problem is that when you dream up your story, you have this amazing sense of, I just thought this amazing thing is going to happen to this character and then how it’s all going to end. Okay, but there’s 50% of your double, which I just haven’t thought about yet. I think for many of us, it’s being able to slow down, tease apart the problem, and introduce all of the complications that are required to then deliver that delicious climax that is really satisfying to the reader. So it’s such an important task, yet it’s probably the thing we naturally, as writers, I’m making it very everybody. It’s not everybody’s problem, of course, but we do know many of us experience the problem where we don’t know what to put in the middle there, I suppose. 
Kathryn: Yeah, we have this big empty gap, like, just tell me what to put in here, please.
 
Sound familiar? Then sit back and enjoy this week’s Story Works Round Table episode all about “what to put in here, please!”

SWRT 262 | Non-protagonist POVs

SWRT 262 | Non-protagonist POVs

This week on the Story Works Round Table, Alida, Kathryn, & Robert discuss using a non-protagonist as your point of view character. What pitfalls does a writer face in doing this? Will readers engage with a witness POV? And if the POV character does not have stakes in the action, what then? This topic came to us from a listener’s question and made for a juicy craft conversation!

Show notes, links, & more at www.StoryWorksPodcast.com.

SWRT 9: Story Ideas

Where do story idea’s come from? Can you cultivate ideas or do you have to wait for inspiration? We talk about travel, dreams, visions and how the writing process truly is one of discovery. Do you need an idea in order to write? And is creativity a limited well or a muscle you can whip into shape? What if someone else steals your ideas? You will be surprised where some of our inspiration comes from!

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SWRT 8: Active Protagonists

What is agency? And how do you keep your protagonist active? Do coincidences and natural disasters take away character agency? What is they try/fail cycle and what does Alida have against it? What is the difference between a reaction and a response? When should you plan your characters agency? And how do you handle reaction scenes? In the end just ask yourself: “did my character lose a hand?”. If he did, then you have a pretty good chance – he’s active!

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SWRT 7: Endings

Are endings hard? What makes a good ending, and how do you make it surprising and inevitable? How do you resolve a book differently if it’s a short story, versus a novel, versus a novel in a series? And how can you create that satisfying ending for both you and the reader?

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SWRT 5: Subplots

What exactly is a subplot? When do you need them? Who should they revolve around? And can they really alleviate the soggy middle syndrome? And please don’t forget your characters have lives too! Don’t make them live entirely in the main plot line.

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SWRT 6: Openings

Want to know what it takes to write a good opening? How do you hook your reader and get them invested in your story? How do you create character empathy and what are the action steps that you need to take in order to write a great opening?

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SWRT 4: Book Covers with Daria Brennan

Can an author do their own cover? What is it like to work with a professional cover designer? And how should you start the process? We explore market and genre conventions, as well as some tricky pitfalls of wanting a person on your cover. We even talk about how hard it was to find the houses for Alida’s covers! Stay tuned for an amazing side by side cover comparison, as well as a very generous offer. Make sure you check Daria out!

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SWRT 3: Are We Our Characters?

Do we write ourselves into our novels? Is everything we write autobiographical? And what if you don’t have the experiences your characters do?

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SWRT 2: Writing Groups

SWRT 2: Writing Groups

What are the benefits and pitfalls of writing groups? What kind of criticism is good criticism? And how can I be a better critic?

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SWRT 1: Challenges of Writing Characters

Have you ever struggled with your antagonist or supporting characters motivation? Or wonder what kind of work you need to put in before you start writing? We even get into what we do for character sketches and how our journals will lead to posthumous fame!

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