We’re talking character motivation. It’s crucial to every element of your story and you’ll do yourself a favor by having a handle on it in the prewriting stages. We talk about the protagonist, the reader, and you, the writer. Also, how motivation relates to flaws and conflicts, and how a series differs from a standalone.
This week on the Story Works Round Table: conversations about craft, Kathryn and Alida discuss writing backstory. It’s been coming up for both of us lately, including in Alida’s fiction coaching group. What is the one critical element to getting it right? How do you successfully transition your narrative into and out of backstory? Want a great example of a great author deftly handling backstory? We got one!
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.