Story Works Round Table

conversations about craft

for writers and readers curious about writers

SWRT 327 | Embracing The Heroine’s Journey with Danielle Anderson

SWRT 327 | Embracing The Heroine’s Journey with Danielle Anderson

In this episode, Alida Winternheimer welcomes Danielle Anderson, a seasoned nonfiction book coach and editor, as we delve into the concept of the heroine’s journey. Drawing from Maureen Murdoch’s influential work, Danielle shares her personal experiences and insights on the internal journey women often face, contrasting it with the traditional hero’s journey. Discover how understanding this narrative can empower women to embrace their unique stories and identities. This conversation is a must-listen for anyone seeking to explore the depths of their own journey!

SWRT 326 | Writing Through Chronic Illness with Beth Biss

SWRT 326 | Writing Through Chronic Illness with Beth Biss

In this episode, Alida and Kathryn explore the intersection of writing and chronic illness with author Beth Biss. Beth shares her personal journey of navigating her health challenges while pursuing her passion for writing. We discuss the themes of identity, acceptance, and empowerment in her work, and how her experiences shape her characters and stories. Join us for an inspiring conversation about resilience, creativity, and the transformative power of storytelling.

SWRT 271 | Character Motivation

SWRT 271 | Character Motivation

We’re talking character motivation. It’s crucial to every element of your story and you’ll do yourself a favor by having a handle on it in the prewriting stages. We talk about the protagonist, the reader, and you, the writer. Also, how motivation relates to flaws and conflicts, and how a series differs from a standalone.

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SWRT 270 | Backstory

SWRT 270 | Backstory

This week on the Story Works Round Table: conversations about craft, Kathryn and Alida discuss writing backstory. It’s been coming up for both of us lately, including in Alida’s fiction coaching group. What is the one critical element to getting it right? How do you successfully transition your narrative into and out of backstory? Want a great example of a great author deftly handling backstory? We got one!

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SWRT 269 | Villains & Act II

SWRT 269 | Villains & Act II

This week on the Story Works Round Table, Alida & Kathryn discuss what to do with your villain in act II. As we know, they aren’t usually black-hat-evil-doers, but we still need an escalation of stakes for our protagonist. How do we keep act II moving along at a good pace, whether our villain is a bad person or a force or situation in our character’s life that causes challenges? We look at multiple scenarios for our heroes and what to do to keep them and the villain rising toward the climax.

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SWRT 268 | Writing Scary Stories

SWRT 268 | Writing Scary Stories

If Halloween inspired you get your Boo! on, this episode of the Story Works Round Table is for you. Alida and Kathryn talk the craft of scaring the pants off your readers. But this isn’t just a skill for horror writers. We all need to write scenes from time to time full of dramatic suspense, an eerie mood, or dark twists. Loaded with examples and how-to, you’re sure to be ready to write scary!

Let us know what you learned from this episode, what you liked, what you have questions on. Suggest a topic for future episodes. And if you think you’d be a good co-host, let us know!

Get the Scary Monsters & Super Creeps writing workshop at www.StoryWorksFiction.com

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SWRT 267 | Agency

SWRT 267 | Agency

This week on the Story Works Round Table, Alida, Kathryn, & Robert discuss character agency. In this, Robert’s final episode as a co-host, he brought us the question of what to do with a character who is kept “on the back foot”? How do you write a protagonist with agency when the hero is in a position that seemingly rules out taking charge? This episode will be linked in the show notes to all related episodes in the library.

Would you like to be considered as the next co-host on the Story Works Round Table? Drop me a line!

Show notes, links, & more at www.StoryWorksPodcast.com.

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SWRT 266 | Writing Humor

SWRT 266 | Writing Humor

This week, Alida, Robert, and Kathryn answer a listener’s question about writing humor into our stories. Is comedy just a special gift some writers have and the rest of us don’t? Or are there things we can craft to make our story moments funny? 

Join us as we explore the topic and let us know your favorite funny authors as well as how you handle comedic moments in your writing. Share in the comments below. We’d love to hear from you!

Do you have a question or topic you’d like us to explore? Let us know. We’d be happy to!

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SWRT 265 | Read Widely to Improve Craft

SWRT 265 | Read Widely to Improve Craft

This week on the Story Works Round Table, Alida, Kathryn, & Robert discuss all the ways reading widely benefits you as a writer. There is so much more to be gained from reading as a writer than reading as a reader. Kathryn attests that her story craft has improved by reading beyond her favorite genre. How has reading improved your storytelling? What are the pitfalls to avoid when shopping for books? How can you find the books with the scenes that will deliver the help you need as a writer?

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SWRT 264 | Writing Physicality

SWRT 264 | Writing Physicality

This week on the Story Works Round Table, Alida, Robert, & Kathryn get physical (and you won’t believe the scenes that get Robert in trouble!). When you need your characters to do something involving specific bodily movements, how can you create choreography that delivers the precise image you want in the reader’s mind, then move beyond choreography to create a felt experience in your reader’s body?
Do you have a WIP that would benefit from group coaching? Check out Alida’s fall session and join us today! 

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SWRT 263 | Act II

SWRT 263 | Act II

Does this sound familiar? Robert: A big problem is that when you dream up your story, you have this amazing sense of, I just thought this amazing thing is going to happen to this character and then how it’s all going to end. Okay, but there’s 50% of your double, which I just haven’t thought about yet. I think for many of us, it’s being able to slow down, tease apart the problem, and introduce all of the complications that are required to then deliver that delicious climax that is really satisfying to the reader. So it’s such an important task, yet it’s probably the thing we naturally, as writers, I’m making it very everybody. It’s not everybody’s problem, of course, but we do know many of us experience the problem where we don’t know what to put in the middle there, I suppose. 
Kathryn: Yeah, we have this big empty gap, like, just tell me what to put in here, please.
 
Sound familiar? Then sit back and enjoy this week’s Story Works Round Table episode all about “what to put in here, please!”

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