SWRT 201 | Single Character Scenes
April 8, 2021
person typing on MacBook Pro on brown wooden table during daytime photo

This week on the Story Works Round Table, Alida, Kathryn, & Robert discuss single character scenes & stories. There are challenges to having a single character on the stage of the page, some obvious some not-so-obvious. So why would you want a single-character scene? When your story calls for one, how can you ensure the movement continues to draw a reader forward? What are the roles of setting, subtext, & metaphor? Need a writing prompt? We got one!

 

 

VIDEO

 

 

 

AUDIO

 

 

 

SHOW NOTES

 

What we talked about:

How can you help your single character on the page? (0:53)

How do you externalize the character’s internal life? (4:56)

Use metaphor and subtext! (6:20)

Give them something to do. (9:30)

Why does the single character story in Black Bart work? (12:15)

What about narrative distance from the character? (14:55)

The use of theme. (16:05)

Would a different point of view work for a single character scene? (17:43)

 

 

LINKS

 

Get Alida’s Writing Tips here.

 

Things we mentioned:

Castaway

SWRS 002 Black Bart

All Creatures Great and Small 

 

Have thoughts, questions, other examples? Join the conversation at the Story Works Writers Facebook group

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About Your Hosts

Alida

Alida Winternheimer is an award-winning author with an MFA in writing from Hamline University. She pursues her fervor for all things story as a writing coach, developmental editor, and teacher. Two of her short stories were nominated for the Pushcart Prize. She is the author of The Story Works Guide to Writing Fiction Series. Alida lives in Minneapolis, Minnesota with her Golden Retriever, Seva the Wonder Dog. She camps, bikes, and kayaks in her free time. Unless it’s winter, in which case she drinks chai by the fire. You can find more at www.alidawinternheimer.com.

Kathryn

Kathryn Arnold writes fantasy and anything else that sparks her creativity from her home in Kingston, Washington. She currently earns her living as an insurance underwriting assistant, where she also creates marketing and web copy. When not writing, she plays (and teaches) piano and keyboard in a band (or two), and is working on starting a ministry team with her husband. You can find Kathryn at www.skyfirewords.com.

Robert

Robert Scanlon was born in Australia, but whisked off to England when only a baby. After many years complaining about the weather, he did the sensible thing and moved back to Australia. Despite a career in the music industry, followed by decades teaching public speaking, Robert is an introvert who adores reading. Robert grew up on a diet of sci-fi masters, eventually discovering he had read the library’s entire science fiction section. Now he has to write his own. Robert is the author of Constellation, book one of the Blood Empire space opera series. Find out more at www.RobertScanlon.com