How do we address character motivation? Do we struggle with it? When do we work it into our stories? How can you get to know your character better in order to develop that motivation? What are the three layers of motivation? And how do you plan for your characters motivation over a series? What happens when your character has competing motivations?

This week on the Story Works Round Table, Alida & Kathryn discuss what to do with your villain in act II. As we know, they aren’t usually black-hat-evil-doers, but we still need an escalation of stakes for our protagonist. How do we keep act II moving along at a good pace, whether our villain is a bad person or a force or situation in our character’s life that causes challenges? We look at multiple scenarios for our heroes and what to do to keep them and the villain rising toward the climax.

What makes a good villain? How do you avoid cliches? How do you effectively layer your villains? And how do you use villains in different genres? Can you have an ideal as a villain? And what about those villains we don’t vanquish by the end of the book? Don’t forget that your villainy must be tangible to your protagonist and relatable to your reader!

Is writing villains easy? How can you develop a villain without a point of view? Is a villain always seen as evil? How can you get into your villains head? Can we effectively troubleshoot our own villains? And what about writing them with a point of view? So take your villain, give them a good shave and a motivation and get writing!

If your story doesn’t have a bad guy, what do you have? How can you use stories about nature or society to craft a non-personified antagonist? Do you have to have characters involved? And are these external, or internal forces? What effect does this have on your story? And how can you keep a reader interested?

This week on the Story Works Round Table, Alida, Kathryn, & Robert discuss developing your villains. Besides making a real person out of that black hat, the shape of the villain helps shape the protagonist and even your setting. So much more comes out of what you put into that character than you may think!

To make your novel work, your protagonist and antagonist need to stick together. If they aren’t sticky, the conflict will fail. This week on the Story Works Round Table, we discuss what keeps the wheels under your plot turning.