SWRT 305 | Navigating the Feedback Landscape: A Writer’s Guide
September 12, 2024

 

 

 

 

Got a handle on three methods for getting your character’s backstory on the page?

Is your dramatic tension really tense enough?

Does your theme weave deftly through your plot and character arcs?

If you didn’t answer any of those with a resounding YES, join my fall writing workshop series at wordessential.com/events.

 

 

ABOUT THIS EPISODE

 

Feedback is an essential part of the writing journey, but it can also be one of the most challenging aspects to navigate.

In this week’s episode of Story Works Round Table, Kathryn and Alida delve into the intricacies of receiving and giving feedback, offering valuable insights and practical advice for writers at all stages of their careers. One of the key takeaways from the episode is the importance of discerning useful feedback from less helpful critiques. Not all feedback is created equal, and it’s crucial to find critique partners who understand your goals and can provide constructive criticism that aligns with your vision.

 

 

AUDIO

 

 

VIDEO

 

 

SHOW NOTES

What we talked about:

Why are we talking about feedback? (1:12)

What is the difference between good and bad feedback? (1:47)

The problem of having only one critique partner. (3:26)

The importance of conversation. (7:45)

How feedback can help you grow as a writer. (8:55)

How do you find good feedback? (12:35)

How to accept or give criticism. (20:25)

 

 

LINKS

Get Alida’s Writing Tips here.

 

 

 

Have thoughts, questions, other examples? Join the conversation at the Story Works Writers Facebook group

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About Your Hosts

Alida

Alida Winternheimer is an award-winning author with an MFA in writing from Hamline University. She pursues her fervor for all things story as a writing coach, developmental editor, and teacher. Three times nominated for the Pushcart Prize, she is also a notable in Best American Essays and winner of the Page Turner Award. Author of The Story Works Guide to Writing Fiction Series, Alida lives and writes in Minneapolis, Minnesota. She camps, bikes, and kayaks in her free time. Unless it’s winter, in which case she drinks chai by the fire. You can find more at www.alidawinternheimer.com.

Kathryn
Kathryn Arnold writes fantasy and anything else that sparks her creativity from her home in Kingston, Washington. She currently earns her living as an insurance underwriting assistant, where she also creates marketing and web copy. When not writing, she plays (and teaches) piano and keyboard in a band (or two), and is working on starting a ministry team with her husband. You can find Kathryn at www.skyfirewords.com.
Robert
Robert Scanlon was born in Australia, but whisked off to England when only a baby. After many years complaining about the weather, he did the sensible thing and moved back to Australia. Despite a career in the music industry, followed by decades teaching public speaking, Robert is an introvert who adores reading. Robert grew up on a diet of sci-fi masters, eventually discovering he had read the library’s entire science fiction section. Now he has to write his own. Robert is the author of Constellation, book one of the Blood Empire space opera series. Find out more at www.RobertScanlon.com