Do we write ourselves into our novels? Is everything we write autobiographical? And what if you don’t have the experiences your characters do?

How should you introduce your characters? We each bring an example showing how to use action or narrative exposition to introduce your character to your reader. Remember just like everything in writing your description should do more than just describe your character.

What is a character arc? What are the three kinds of character arcs and four main components of a character arc? How can you use Maslow’s hierarchy of needs to help with pre-writing? And how present does your characters wound need to be? Should you state it outright? Or should you weave it into the narrative? How many of your characters need wounds? And how can it affect your antagonist? Finally we discuss the details of finding your wound, and what it might do to your character.

What is the shadow side? And how should we use it in our stories? How do we develop a shadow side? And how does it humanize our characters? Remember that you must get into your characters head, show their motivations, and make a change throughout your story! So use that shadow side to help you craft a character readers want to live vicariously through.

Why should you think about clothing and fashion in your story? Is it just part of your world building and setting? How can you use it to illustrate your characters arc? Or your characters flaws and insecurities? What about when everyone is dressed in a uniform? We dig deep into the choices you can make about fashion and how it can affect every aspect of your story!

Have you ever struggled with your antagonist or supporting characters motivation? Or wonder what kind of work you need to put in before you start writing? We even get into what we do for character sketches and how our journals will lead to posthumous fame!

How do we address character motivation? Do we struggle with it? When do we work it into our stories? How can you get to know your character better in order to develop that motivation? What are the three layers of motivation? And how do you plan for your characters motivation over a series? What happens when your character has competing motivations?

Is your protagonist up to all the challenges your plot is throwing at her? Or is everything a little too easy?
How do you create a character who’s tough enough to survive, but not so darn competent at everything that she becomes unbelievable and unsympathetic? This week on the Story Works Round Table writing podcast, we delve into creating sufficient challenges commensurate with your character’s abilities and more!

How do you develop supporting characters? What goes into them versus your protagonist? How do you move them from plot device to fully fleshed being? And what role should they play? Above all how do you keep them from all sounding the same?

Is writing villains easy? How can you develop a villain without a point of view? Is a villain always seen as evil? How can you get into your villains head? Can we effectively troubleshoot our own villains? And what about writing them with a point of view? So take your villain, give them a good shave and a motivation and get writing!