In this episode of the Story Works Round Table, we delve into the art of anthology writing with authors Sarah Branson, Annie M. Ballard, and Christy Matheson. Join Alida and Kathryn as we discuss the experience of writing and producing the anthology Where Kindness Lives: A Women’s Fiction Anthology. We discuss the challenges and joys of collaborative storytelling and the unique dynamics of writing short fiction. Tune in for insights that will inspire both aspiring and seasoned writers!
In this episode of the Story Works Round Table, Kathryn takes the host position and Alida joins our Author Panel as we talk all things mystery, thriller, and suspense. Join us for an amazing conversation with authors Kathryn Dodson, L.L. Kirchner, and our own Alida Winternheimer. We talk about why each author chose to write in these genres, why they write female protagonists, the use of plot and pacing to drive suspense, and the intricacies of writing a villain. Packed with craft, and exploring the intricacies of writing these books, this is a must-listen for any writer!
Dive into an extraordinary conversation on the Story Works Round Table as D. Liebhart, an ICU nurse turned award-winning author, reveals the intricate process of transforming real-life experiences into captivating fiction. In this episode, we explore the ethical and moral complexities of her debut novel, House on Fire, and delve into the delicate balance between truth and storytelling. Join us as we uncover the layers of memory, emotion, and craft that shape a writer’s journey from personal history to the pages of a novel.
This week on the Story Works Round Table, Alida and Kathryn welcome screenwriter Tim Auld back to the round table to discuss heroes.
What makes a hero resonate with an audience? Tim Auld introduces us to the concept of ordinary heroism, a principle that suggests heroes should be inherently inadequate to the challenges they face.
This week we welcome Screenwriter Tim Auld to the Round Table to discuss the trend in film and literature toward didactic writing, when the (often moral) message of a piece overpowers the story trying to be told. Why is this still happening if audiences are weary of it? What about writing a message-focused story—is there a right way to do it? We’re excited to have a fresh perspective from the screenwriting side of the craft.
This week, Alida, Robert, and Kathryn discuss the relationship between stakes and agency. How do these aspects of plot and character work together to create forward drive in your story?
Crafting character arcs takes planning, but it’s not difficult, especially if you reverse engineer your protagonist’s big shift.
More than a holiday classic, Dickens’ A Christmas Carol is a classic of story craft. This novella offers lessons to carry throughout the year.
This week at the Story Works Round Table, Alida and Kathryn solve the world’s problems with one simple, three-part edict.
We’re kidding, but we’re kind of not. Writing and reading are all about building empathetic connections with people who are nothing like ourselves. As such, writers are gifted with a truly great responsibility.
Share this episode and a book with the people you love.
If you’re in the States, Happy Thanksgiving! Wherever you are, I am grateful for every single person who takes the time to listen to one another.
This week, Alida and Kathryn welcome Dr. Martha Highers to the Writers Book Club to discuss “Naming My Father,” a personal essay that won the Under the Sun summer writing contest. Martha is an editor at Under the Sun. not only do we talk as reader-writers, we get an insightful behind the scenes glimpse of the selection and editorial process for this wonderful essay about growing up the child of an autistic parent before anyone understood autism.
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Characterization is more than introducing a character. The sharpest and subtlest of details can reveal a whole person to a reader.