Kathryn explains an exercise in pre-writing she has been using to deepen her character arcs and relationships within her novel. We explore how it would affect sub-plots, character relationships, and arcs. What problems could this help you avoid? And how could you use it to develop your antagonist as well? We talk about how Kathryn got into this kind of development, and whether or not it would work for every kind of story!

What is a character arc? What are the three kinds of character arcs and four main components of a character arc? How can you use Maslow’s hierarchy of needs to help with pre-writing? And how present does your characters wound need to be? Should you state it outright? Or should you weave it into the narrative? How many of your characters need wounds? And how can it affect your antagonist? Finally we discuss the details of finding your wound, and what it might do to your character.

Is your protagonist up to all the challenges your plot is throwing at her? Or is everything a little too easy?
How do you create a character who’s tough enough to survive, but not so darn competent at everything that she becomes unbelievable and unsympathetic? This week on the Story Works Round Table writing podcast, we delve into creating sufficient challenges commensurate with your character’s abilities and more!

Is it even possible to have an arcless protagonist? What is an arcless protagonist? After diving into some famous and beloved arcless protagonists, we dive into how to make it work. How can you use your secondary characters to create emotional resonance? And how can you keep that emotional buy in through a series? Do you need the same supporting characters around your arcless protagonist? And what are some of the drawbacks to using one? Just remember: an arcless protagonist is the exception, not the rule!

How do you develop supporting characters? What goes into them versus your protagonist? How do you move them from plot device to fully fleshed being? And what role should they play? Above all how do you keep them from all sounding the same?

This week on Story Works Round Table, Alida, Kathryn, & Robert talk character. What to do when your supporting characters resist the roles you’ve given them? Do you really need them all? What about developing new skills over the course of an arc? 
Could your characters benefit from a writing lesson? Story Works has creative writing workshops available today on character traits, a master class in character development, story structure, plot, and more. Live workshops for Spring 2022 are coming soon! Details at www.storyworksfiction.com 

What is a fatal flaw? And how can you develop one for your character? How should the fatal flaw be resolved through your book or series? And how can you keep your characters irrational behavior believable to your readers? Remember that a stories endpoint and a flaws true resolution doesn’t have to be the same thing. Now dig deep into your characters past and find that fatal flaw!

What is a protagonist, and does your story need one? What are the stakes your protagonist needs? Who is the right person to tell your story? And how is a protagonist different from a point of view character? And ultimately, do you have to discover one thing before another in your pre-writing process?

What are stakes? And how does your characters agency interact with them? How do you make your stakes personal and individual for your character? And how can you use your stakes to evaluate your plot structure? How should the stakes change through the story? And how do the stakes affect your characters actions? Remember, your characters agency must be the thing that drives your story forward!

Are you supporting characters always supportive? How can you use character conflicts and relationships to up the stakes and tension in your work? Don’t forget: no one exists in a vacuum! And characters are defined by how they interact with others!